Young Simone is involved in a near fatal car crash, and as she questions her mortality, she also decides to have a baby. Her candidate for a father is her best friend Phillipe who happens ... See full summary »
Through an immigrant cab driver, our world collides with a nervous filmmaker, a lawyer whose new breasts her ex-boyfriend wants to see, a mystery man, a gay man who may or may not be ... See full summary »
During an opulent banquet, eleven pampered guests participate in what appears to be a ritualistic gastronomic carnage. In this grotesque universe, an unexpected sequence of events destabilizes the endless symphony of abundance.
A series of flashing green and red screens, set to music, create the effect of patterns in the viewer's eyes (ganzfeld). The patterns seem to react to the music, supporting the claim made in the title.
On the surface, twenty-five year old Bibiane Champagne has the perfect life. She is the daughter of the famed Flo Fabert. She co-owns a chain of boutiques in Quebec with her brother, Philippe. But Bibi's life is in shambles. She has just had an abortion. And the boutiques are failing because of her incompetence, which is the result of or has led to her substance abuse. It is also the result of the high expectations on her. Bibi's story is told by a fish awaiting decapitation on a butcher's block, the fish as narrator largely because of the singular and accidental encounter she has with fifty-three year old Norwegian fishmonger, Annstein Karlsen. That encounter leads to a further failed decision by Bibi and a meeting with Annstein's son, Evian Karlsen, who does not know the full extent of Bibi and his father's relationship. Bibi's time with Evian may provide some salvation to her crumbling life.Written by
There is text at the beginning of the movie in Norwegian: "Vi ber om unnskyldning til alle våre norske venner. Filmen viser et bilde av Norge som er basert på klisjéer. Vi skrev filmmanuset under hypnose. Vi beklager at alt i filmen er oppspinn."
It translates as: "We apologize to all our Norwegian friends. The film shows a picture of Norway based on clichés. We wrote the movie script under hypnosis. We regret that everything in the movie is spinning." See more »
Good Morning Starshine
Performed by Cast of "Hair" See more »
I was rather excited to watch this film, and the first hour or so did not disappoint. It reminded me a lot of Kieslowski's Blue, and also a little bit of Red, in the character interaction, the cinematography, the use of colors, and just the overall mood. However, I thought that the last half went downhill. It suddenly switched from a journey into depression and internal conflicts to a cliched, improbable love story, almost as if the ending had been tacked on. The emotions of the main characters in the end shift too dramatically, and it seems as though no healing or reconciliation takes place (although apparently some does). The very ending, with the last words of the fish were too out of context, and I swear that they were borrowed directly from some other source. Perhaps my least favorite part of the entire movie comes at the ending on the boat, only because the song being played does not fit the mood at all, and changed my outlook entirely. All in all though, a feature worth watching, if only for the first half alone.
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