Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York City. There he meets Karen, they are attracted to each other and after ... See full summary »
Non-linear film tells the sexual story of a film director from his life at age 5, 12 and 16, a man embarking on his first film in 1950s Tunisia, and finally to his current life. Along the ... See full summary »
While a British film crew are shooting a version of The Duchess Of Malfi in Venice, they in turn are being filmed by a sleasy documentary primadonna while the strange staff share meals ... See full summary »
A crooked American businessman tries to push the shady influential owner of a nightclub in Newcastle, England to sell him the club. The club's new employee and the American's ex lover fall in love and inadvertently stir the pot.
The primary story with this movie is that it is shown in four simultaneously filmed ninety-three minute single shot takes (in other words, shown in four quadrants), with the actual plot secondary. The four cameras follow the players involved, with two or more of the four cameras sometimes filming the exact same scene from different angles and thus different perspectives. The audio on each of the four quadrants is turned up and down based on which quadrant(s) the viewer should pay most attention to at any given time. The actual plot, which takes place in Hollywood, involves the pre-production by Red Mullet Productions for the movie "Bitch from Louisiana". The production team is in an executive meeting to discuss several aspects of the movie, including problems with one of their own, Alex Green, who has been missing in action from much of the production and this meeting. Alex's problems stem from his substance abuse and philandering, his wife Emma who is contemplating leaving him, of ...Written by
The film was written on music paper, exactly like a string quartet. Each bar line representing a minute. See more »
Camera reflected in the director's glasses as he's outside talking and the shot zooms in on him. See more »
This is the most pretentious crap I've ever heard.
I'm sorry, could you speak louder, please?
Do you think anybody sitting around this table has a clue about what you're talking about?
No, but it's time to educate people.
You know, we think, "This is crap, but we'll do it for you, and then you do our crap." And that'll be the deal.
Alex, you are way out of line. I brought Anna here and I brought Joey here, and I expect some respect. You're way out of line.
Come on, Bunny...
[...] See more »
Timecode was shot with a total of 15, 90+ minute, real-time takes. For the theatrical release the last take was used. Take 1, which runs 93 minutes, has the role of the Executive played by Holly Houston and the role of Emma's Therapist is played by Laurie Metcalf. Take 15, the one used for the theatrical version which runs 97 minutes, has the roles of the Executive taken over by Holly Hunter and the Therapist role is taken over by Glenne Headly. Both takes are included in the US DVD release. See more »
A fantastic effort that narrowly missed out on being brilliant. I loved what this movie tried to do, although ultimately it became a little boring. I love real time movies, and I love long takes, in this case the whole movie. With a stronger plot and script for the actors to work with, this style could succeed. The one thing I noticed at the end of the movie was how draining it was trying to follow every conversation on each of the four screens.
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