6.2/10
6,198
147 user 49 critic

Timecode (2000)

Trailer
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Four frames of simultaneous action that alternately follow a smitten lesbian lover as she obsesses over her partner's dalliances and the tense goings-on of a Hollywood film production company.

Director:

Mike Figgis

Writer:

Mike Figgis (story)
2 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Xander Berkeley ... Evan Wantz
Golden Brooks ... Onyx Richardson
Saffron Burrows ... Emma
Viveka Davis ... Victoria Cohen
Richard Edson ... Lester Moore
Aimee Graham ... Sikh Nurse
Salma Hayek ... Rose
Glenne Headly ... Therapist
Andrew Heckler ... Auditioning Actor
Holly Hunter ... Renee Fishbine
Danny Huston ... Randy
Daphna Kastner Daphna Kastner ... Auditioning Actor
Patrick Kearney Patrick Kearney ... Drug House Owner
Elizabeth Low Elizabeth Low ... Penny - Evan's Assistant
Kyle MacLachlan ... Bunny Drysdale
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Storyline

The primary story with this movie is that it is shown in four simultaneously filmed ninety-three minute single shot takes (in other words, shown in four quadrants), with the actual plot secondary. The four cameras follow the players involved, with two or more of the four cameras sometimes filming the exact same scene from different angles and thus different perspectives. The audio on each of the four quadrants is turned up and down based on which quadrant(s) the viewer should pay most attention to at any given time. The actual plot, which takes place in Hollywood, involves the pre-production by Red Mullet Productions for the movie "Bitch from Louisiana". The production team is in an executive meeting to discuss several aspects of the movie, including problems with one of their own, Alex Green, who has been missing in action from much of the production and this meeting. Alex's problems stem from his substance abuse and philandering, his wife Emma who is contemplating leaving him, of ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

You are looking at a movie screen split into four parts. You will see a tale of sex and power, captured by four different cameras. You will witness a story told in real time, without any edits. You will experience the first movie ever told in four dimensions. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for drug use, sexuality, language and a scene of violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

28 April 2000 (USA) See more »

Also Known As:

Time Code See more »

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$93,148, 30 April 2000, Limited Release

Gross USA:

$945,041, 11 June 2000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

It was initially shot on the DSR 130 DV Cam and then upgraded to Digibeta and finally HD. It was shown digitally at the Yahoo Internet Film Festival at the DGA (Directors Guild of America) on March22, 2000. See more »

Goofs

Cameraman reflected on an elevator door as he follows Emma after the therapist sequence. See more »

Quotes

Evan Wantz: Darren, why do they call it a budget?
Darren: They call it a budget so you don't budge from it.
See more »

Alternate Versions

The film was transferred from digital video to film stock for theatrical presentation. The video release, however, uses the original digital video picture format. See more »

Connections

References Le Million (1931) See more »

Soundtracks

Single
Written by Ben Watt and Tracey Thorn
Performed by Everything But The Girl
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products/Virgin Records Limited
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User Reviews

 
Awesome Effort
23 January 2001 | by daveisitSee all my reviews

A fantastic effort that narrowly missed out on being brilliant. I loved what this movie tried to do, although ultimately it became a little boring. I love real time movies, and I love long takes, in this case the whole movie. With a stronger plot and script for the actors to work with, this style could succeed. The one thing I noticed at the end of the movie was how draining it was trying to follow every conversation on each of the four screens.


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