Russ Duritz (Bruce Willis) is a wealthy L.A. image consultant, but as he nears 40, he's cynical, dogless, chickless, estranged from his father (Daniel von Bargen), and he has no memories of his childhood. One night he surprises an intruder (Spencer Breslin), who turns out to be a kid, almost 8 years old. There's something oddly familiar about the chubby lad, whose name is Rusty. The boy's identity sparks a journey into Russ's past that the two of them take - to find the key moment that has defined who Russ is. Two long-suffering women look on with disbelief: Russ's secretary, Janet(Lily Tomlin), and his assistant, the lovely Amy, to whom Rusty takes a shine. What, and who, is at the end of this journey?Written by
Towards the ending of the credits it says that this motion picture was created by 'Chester Film, Inc.'. 'Chester' is the name of the dog in the film. A joke from the producers. See more »
When Russ goes to Janet and asks her to "make little Rusty disappear", Rusty's hair changes from combed, to uncombed, and perfectly combed again. See more »
[Russ calls Janet to meet him in the building's garage; when she arrives, he steps out from behind the dumpster, where he has been hiding]
I'm not throwing your dismembered enemies' bodies into the dumpster. I've got my limits.
See more »
I have been always wondering "Can one truly explain the meaning of life in less than two hours?" And here I got the answer after watching this movie for 3 times. This is certainly one of the greatest films I've ever seen. Disney tries to make the film in an interesting and lovely way so it can appeal to both the kids and the adults. But what lies behind the film by far beyond the comprehension of a normal kid. Here, let's first look at how other comments put it: `The movie starts by completely neglecting even an attempt at explaining how 8-year-old Rusty shows up on 40-year-old Rusty's doorstep" But this is not true. Actually the film made a hard work demonstrated how Russ (Willis) --a successful image consultant and a rich jerk was haunted by the hallucination of a flying plane which was actually the same kind of a model given to him by his father as a present. Here Audey Wells present all the viewers a question as a shrimp in the later plot suggested it: you're having hallucination for a reason and you need to figure out what that reason is.But at that time, the film is not in a hurry to explain the reason. Later on Ross's hallucination got stronger and he even imagined a boy intruded into his house. Even more the hallucinated boy lead him to an old drome. From there Ross's dream or more accurately the psychiatric journey of exploring himself began. That exploration filled most of the film till the 8-year-old Rusty disappeared on the same drome (notice only at that time Russ's clothes changed back to the sleeping pajama). The main part of the film (that's what I called the exploration) centered on the questions that had puzzled Russ these days: What's wrong with him? Why he always said somebody call the Ouaaaaaaaaambulance? Why he had a twitch? What happened from being little Rusty and becoming Russ? What will be supposed to do with the relation with Amy? And finally what he will be doing in the later time of his life? The film did an excellent job in explain all these questions. Evenmore it raised another question: Is Russ really a loser? Here Jean Smart said something very inspiring: I mean how many of us grow up to be astronauts or prima ballerina? We just all do the best we can. This film presented the normal theme of midyear crisis in a swift and clever way without lacking of provoking thought.The main character especially Bruce Willis and Jean Smart worked very well to helped achieve visual effect as well as the profound theme.Russ got the answer and know what to do next, what about us?
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