6.1/10
37,487
141 user 87 critic

The Kid (2000)

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1:14 | Trailer

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ON DISC
An unhappy and disliked image consultant gets a second shot at life when he is mysteriously confronted by an eight-year-old version of himself.

Director:

Jon Turteltaub

Writer:

Audrey Wells
1 win & 3 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Bruce Willis ... Russ Duritz
Spencer Breslin ... Rusty Duritz
Emily Mortimer ... Amy
Lily Tomlin ... Janet
Jean Smart ... Deirdre Lafever
Chi McBride ... Kenny
Daniel von Bargen ... Sam Duritz (as Daniel Von Bargen)
Dana Ivey ... Dr. Alexander
Susan Dalian ... Giselle
Stanley Anderson ... Bob Riley
Juanita Moore ... Kenny's Grandmother
Esther Scott ... Clarissa
Deborah May ... Governor
Vernee Watson ... Newsstand Cashier (as Vernee Watson Johnson)
Jan Hoag ... Newsstand Tourist
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Storyline

Russ Duritz (Bruce Willis) is a wealthy L.A. image consultant, but as he nears 40, he's cynical, dogless, chickless, estranged from his father (Daniel von Bargen), and he has no memories of his childhood. One night he surprises an intruder (Spencer Breslin), who turns out to be a kid, almost 8 years old. There's something oddly familiar about the chubby lad, whose name is Rusty. The boy's identity sparks a journey into Russ's past that the two of them take - to find the key moment that has defined who Russ is. Two long-suffering women look on with disbelief: Russ's secretary, Janet(Lily Tomlin), and his assistant, the lovely Amy, to whom Rusty takes a shine. What, and who, is at the end of this journey? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Nobody ever grows up quite like they imagined.

Genres:

Comedy | Family | Fantasy

Motion Picture Rating (MPAA)

Rated PG for boxing action and mild thematic elements | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Disney's Official Site

Country:

USA

Language:

English

Release Date:

7 July 2000 (USA) See more »

Also Known As:

Disney's The Kid See more »

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Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend USA:

$12,687,726, 9 July 2000, Wide Release

Gross USA:

$69,691,949

Cumulative Worldwide Gross:

$110,317,580
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Bruce Willis and Chi McBride previously starred together in Mercury Rising. See more »

Goofs

When Russ picks up the plane lying outside, the very bright spotlights where his car is parked made it appear like daytime to some viewers. See more »

Quotes

Russ Duritz: Toshiya, let me ask you something. If you get called a jerk four times in a single day, does that make it true?
Amy: What, only four? Did you get up late?
Russ Duritz: Excuse me, I'm asking Toshiya.
Toshia: Four times is a pattern. It have to be five times to be a fact.
Russ Duritz: Thank you. See? There's hope after all.
Amy: Jerk.
See more »

Crazy Credits

Rich Eisen.........Stuart Scott See more »

Connections

References The Flintstones (1960) See more »

Soundtracks

Western Epic - Take Seven
(uncredited)
Written and Performed by Charlotte Georg
Courtesy of OGM Music
See more »

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User Reviews

 
So..what's keeping them from making more like this?
18 August 2000 | by mark_r._mcdonaldSee all my reviews

From a perspective that it is possible to make movies that are not offensive to people with strong moral values, this one is definitely worthwhile. This is the second Bruce Willis film in a row that manages to tell its story with no nudity, off-color humor, profanity, or gratuitous violence. (I refer of course to The Sixth Sense.) Both movies are engaging on more than one level. This one is appropriate for children as well, although as others have pointed out, it isn't a flick FOR kids.

I was bothered that the time travel device that drives this plot is never explained, except that we know Russell himself initiates it as a 70 year old. Also, why does his dying mother have to come to school to get him when he wins the fight; why, if as his older self says, he has to fight that kid again and again for the next few years does his mother not have to come and get him every time, and why he doesn't learn to kick butt in the process. I also found the score rather annoying and not always appropriate to the action on stage.

Good use of the red plane as metaphor, however.


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