6.4/10
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Human Nature (2001)

R | | Comedy, Drama | 12 April 2002 (USA)
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2:13 | Trailer

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A woman is in love with a man in love with another woman, and all three have designs on a young man raised as an ape.

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2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Lila Jute
... Puff
... Dr. Nathan Bronfman
Ken Magee ... Police Detective
... Police Detective
... Police Detective
... Young Lila Jute
... Doctor (as Stanley Desantis)
... Frank
... Puff's Father
Bobby Harwell ... Congressman
... Congressman
Bobby Pyle ... Young Puff
Chase MacKenzie Bebak ... Young Nathan (as Chase Bebak)
... Nathan's Mother
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Storyline

A philosophical burlesque, Human Nature follows the ups and downs of an obsessive scientist, a female naturalist, and the man they discover, born and raised in the wild. As scientist Nathan trains the wild man, Puff, in the ways of the world - starting with table manners - Nathan's lover Lila fights to preserve the man's simian past, which represents a freedom enviable to most. In the power struggle that ensues, an unusual love triangle emerges exposing the perversities of the human heart and the idiosyncrasies of the civilized mind. Human Nature is a comical examination of the trappings of desire in a world where both nature and culture are idealized. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

In the Interest of Civilization... Conform.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for sexuality/nudity and language | See all certifications »

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Details

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Language:

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Release Date:

12 April 2002 (USA)  »

Also Known As:

Human Nature  »

Filming Locations:

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Box Office

Opening Weekend USA:

$297,340, 14 April 2002, Limited Release

Gross USA:

$695,876, 5 May 2002
See more on IMDbPro »

Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Hilary Duff's (young Lila) first feature film. See more »

Goofs

Puff was raised by a madman who never taught him basic language skills or anything about human life. So how does he know the story of being stolen from his mother's apartment? See more »

Quotes

[first lines]
Lila Jute: I'm *not* sorry.
Puff: I *am* sorry.
Nathan Bronfman: I don't even know what sorry means anymore.
See more »

Connections

References The Elephant Man (1980) See more »

Soundtracks

You
Written by Elayne Roberts and Florence Roberts
Performed by Marty Roberts (as Marty) and Elayne Roberts
Published by Elayne Roberts/Florence Roberts Publishing Designee
Courtesy of Enterprise Records
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User Reviews

 
it's nice to see a movie that raises philosophical questions
13 April 2002 | by See all my reviews

'Human Nature' will inevitably be reviewed in comparison to 'Being John Malkovich', and the comments will be along the lines of 'less coherent', 'not likely to be as commercially successful', etc. But should these be reasons to NOT see this movie? Only if you want to miss the most intelligent movie to come out since BJM. Forget 'A Beautiful Mind', which gives the appearance of intelligence by flaunting pseudo-guru math, but was just another sappy tale of 'the triumph of the human spirit'.

What makes 'Human Nature' and BJM a cut above the usual cinema drivel, is that they actually attempt to get into some serious philosophical issues. BJM delves into personal identity, while 'Human Nature' digs even deeper into the realm of our underlying... human nature. What makes human nature any better than animal nature? civilization? language? manners? And do these distinctly human features actually make us better, or just different, or different in a bad way... i.e. by making us lead dual lives, tearing our originally united being into inharmonious halves (subjective/objective)? And can we simply unite our duplicitousness by forgetting language, civilization, and manners... by returning to nature? Or, with a philosopher who gets an intensional nod in 'Human Nature', Wittgenstein, are we stuck in language, forever banished from the garden of eden?

This movie raised all of these questions, and more, for me... which is what I expect out of a good movie: not only does it entertain us, but it invites us to join in the entertaining. By posing these questions, it challenges us to answer them, and to ask our own questions of it... which means that we have to see it again in order for it to continue the dialogue. Now that's what I call interactive movie-going. Philosophy has started some great stuff in history: religion, government, science. So I think that's its not asking too much for movies to engage in philosophical debates and trying to include the audience, rather than thinking of the audience as fodder for the box office.


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