When Jessica King goes missing, all eyes turn to Annabelle Wilson. Not as a murder suspect, but as a clairvoyant. Many of the towns folk go to Annabelle for help, and Jessica's fiancée, Wayne Collins, turns to Annabelle for possible guidance. Annabelle feels that she can't help, but this doesn't stop her from constantly getting visions of Jessica's fate.Written by
I thought THE GIFT was going to be another of those clichéd tales involving a fortune teller , but as soon as the credits revealed that the director was the underrated Sam Raimi I suddenly started hoping that this was going to be a good film and my expectations were more than satisfied.
Raimi is probably best known for his SPIDERMAN blockbuster and the EVIL DEAD films , but I can't help thinking he's far better suited to human dramas like this film and A SIMPLE PLAN . Part human drama on being an outsider , part court room drama , part whodunnit and part supernatural mystery THE GIFT could have ended up as an unfocused mess but Raimi pulls it off . A word too for Raimi's handling of the cast , all the performances are very good . As you'd expect from such a talented actress Cate Blanchet is excellent , but Keannu Reeves is a shock as a redneck scum bag . I won't go so far as to say he steals the show but as a confirmed Reeves hater I found his performance totally convincing . Praise indeed
In terms of pace , intelligence and characterisation Billy Bob Thornton and Tom Epperson have written a very good script , but I have one genuine complaint regarding forensics . In the court scenes evidence is presented , but there is nothing regarding forensic evidence which does lead to a fairly big plot hole . If I remember correctly A SIMPLE PLAN also suffers slightly from the screenwriter not doing his homework regarding forensics . But I suppose I can forgive this because of a haunting and touching shock twist at the end . If you've seen THE GIFT you'll know what I'm talking about , if you haven't then I won't spoil it for you . The only problem with the twist is that after you've seen it the second or third time it's not as moving or touching as it was the first time
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