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Kippur (2000)

Not Rated | | Drama , War | 13 September 2000 (France)
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The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. ... See full summary »

Director:

Amos Gitai
2 wins & 6 nominations. See more awards »

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Cast

Cast overview:
Liron Levo ... Weinraub
Tomer Russo ... Ruso
Uri Klauzner ... Klausner (as Uri Ran-Klausner)
Yoram Hattab ... The Pilot
Guy Amir ... Gadassi
Juliano Mer-Khamis ... The Captain (as Juliano Mer)
Ran Kauchinsky Ran Kauchinsky ... Shlomo
Kobi Livne Kobi Livne ... Kobi
Liat Glick ... Dina (as Liat Glick Levo)
Pini Mittleman Pini Mittleman ... Hospital Doctor
Meital Berdah ... (as Meital Barda)
Gidi Gov
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Storyline

The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. We are led by Weinraub and his friend Ruso on a day that begins with quiet city streets, but ends with death, destruction and devastation of both body and mind. Various scenes are awash in the surreal, as Weinraub's head hangs out over a rescue helicopter's open door, watching with tranquil desperation as the earth passes beneath, the overpowering whir of the blades creating a hypnotic state. It is not a traditional blood, guts and glory film. There are no men in battle, only the rescue crew trying to pick up the broken pieces. Written by Fiona Kelleghan <fkelleghan@aol.com>

Plot Summary | Add Synopsis

Taglines:

Bloody, Vivid... Unvarnished.

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

Kino International

Country:

Israel | France

Language:

Hebrew

Release Date:

13 September 2000 (France) See more »

Also Known As:

Am Tag von Kippur See more »

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Box Office

Opening Weekend USA:

$17,007, 5 November 2000, Limited Release

Gross USA:

$110,281, 28 January 2001
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film is based on director Amos Gitai's own experience of joining a helicopter rescue crew during the war of Kippur, and his helicopter being shot down by a Syrian missile on his 23rd birthday. See more »

Goofs

Moshe Dayan did NOT lose his eye in the Sinai Desert; he lost it in Vichy-controlled Lebanon in 1941 on a reconnaissance mission on behalf of the Australian/British Army. See more »

Connections

Featured in Sodankylä ikuisesti: Elokuvan vuosisata (2010) See more »

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User Reviews

Probably the best anti-war film ever.
5 May 2004 | by kwhatever55See all my reviews

This is not a Hollywood film, and not an action film by any means. Its an art film, just look at the opening love making sequence. Two characters making love sopping in paint on Yom Kippur while everyone else takes part in religious activities. You dont get much more sac-religious than this. So we know this is not a propoganda film.

Despite its boredom and such, when compared to other "anti-war" films like platoon and such, this is king. Why? Because there is nothing glorifying about it or the characters, its boring, there is not a single gunshot in the whole film. Rather we spend 2 hours following a medical rescue team in a chopper hauling dead and wounded bodies into a chopper. No heroic sacrifice, no barely dodging bullets and RPG's, no cool action sequences at all. Israel needs more films like this, to see the futility of fighting wars like this. The use of long shots puts us on the outside looking in on the film, and the use of long takes helps us observe these events in real time. Specifically with the stuck in the mud scene. THe one character ironically says "this earth, this sH^&*^" When the Israeli ideology is so focused on a spiritual connection with the land, the land they feel entitled to.

Its about time that Anti-war films actually institute a feeling of real social change, and not pretend to be anti-war films conveying sacrifice and a "it was worth it" ideal. Real anti-war films do not just show the horror of blood and guts and death, they show the futility of it completely. And they are very difficult for the viewer to accept for the first time.


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