6.5/10
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91 user 71 critic

The Claim (2000)

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A prospector who sold his wife and infant daughter in exchange for a mining claim, tries desperately to win them back as he helps to build the Pacific Railroad with a group of pioneer friends.

Writers:

Frank Cottrell Boyce (screenplay by), Thomas Hardy (inspired by the novel by: "The Mayor of Casterbridge")
1 win & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ron Anderson Ron Anderson ... Stagecoach Driver
Marty Antonini Marty Antonini ... German
Wes Bentley ... Donald Dalglish
Randy Birch Randy Birch ... Priest
Marie Brassard ... French Sue
Bill Chesterman Bill Chesterman ... Mr. Timpson
Artur Ciastkowski Artur Ciastkowski ... Delaney
Fernando Davalos Fernando Davalos ... Barman
Duncan Fraser ... Crocker
Shirley Henderson ... Annie
Kate Hennig Kate Hennig ... Vauneen
Jimmy Herman ... Miner No.3
Landon Hicks Landon Hicks ... Young Miner
Matthew Johnson Matthew Johnson ... Miner
Milla Jovovich ... Lucia
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Storyline

A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scout the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Taglines:

Everything has a price.

Genres:

Drama | Romance | Western

Motion Picture Rating (MPAA)

Rated R for sexuality, and some language and violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | France | Canada

Language:

English

Release Date:

2 February 2001 (UK) See more »

Also Known As:

Kingdom Come See more »

Filming Locations:

Calgary, Alberta, Canada See more »

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Box Office

Budget:

CAD 20,000,000 (estimated)

Opening Weekend:

£38,975 (United Kingdom), 9 February 2001, Limited Release

Opening Weekend USA:

$7,131, 1 January 2001, Limited Release

Gross USA:

$669,258, 5 July 2001
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The scene where Dillon ('Peter Mullan') confronts Daglish (Wes Bentley) in the bedroom of Lucia (Milla Jovovich) had to be reshot many months after principal photography was over. Bentley had cut his hair for another role, and had to be outfitted with a wig matching his hairstyle in "The Claim" at a cost of ten thousand American dollars. See more »

Goofs

Near the end of the film, Donald and Francis arrive back to town on horseback. Several men are walking behind them. Two men in Russian style hats are wearing modern day aviator sunglasses. See more »

Quotes

Vauneen: [first lines - overlapping conversations] Alright ladies, let's go. I'm Vauneen, I take care of you from this point on. Ya get down, and we're going to get you to work real soon...
Deputy: Alright gents, let's hand-up your firearms.
Donald Dalglish: Why?
Deputy: It's a town's rule.
Donald Dalglish: These firearms are the property of the Central Pacific Railroad.
Deputy: That don't matter, Mr. Dillon says no firearms in town, so no firearms in town, come on...
Donald Dalglish: You can't take these weapons...
Vauneen: I said, leave that...
Deputy: Well then you can't come into Mr. ...
[...]
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Connections

References McCabe & Mrs. Miller (1971) See more »

Soundtracks

Sé Velha
Written by Américo Durão & António Menano
Published by SPA
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User Reviews

 
Admirable use of realistic pioneer accents
13 October 2004 | by oigeSee all my reviews

One of my favourite things about this fine film is that the characters have European accents; too often films set in the American frontier of the 19th Century have their characters speaking in unlikely modern American accents. It adds greatly to the film's believability, as well as reminding the viewer that these were people who left their homelands, usually to escape extreme poverty, and started a new life in what was (to the white man) unknown territory; this utter anonymity helps explain the actions of some of the characters in the film. Indeed the central theme, the cost of sacrificing what one has for a possible better life, is an aspect of emigration itself; the poem "Noreen Bán" recited by Hope Byrne recalls the tragedy of mass emigration from Ireland after the Great Famine, so its impact on Dillon is multiplied.

Great credit is also due to the actors, excellent performances all round.


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