Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ...
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Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig salesman, known as the Scalper, to sell them his leads, the two embark on a series of house calls--always in neighborhoods that are dangerous for one or the other partner. Then they find out they may lose their exclusive wig distributorship to competitors. Through a series of comic twists, the pair are given large orders for wigs by both sides of the Protestant/Catholic conflict. Should they compromise their principles in order to keep their business? Will it destroy their friendship? Could one of their wigs in the hands of the IRA actually put one or both of them in jail or even get them killed?Written by
Producer Jerome O'Connor filed a $10 million lawsuit against DreamWorks for effectively burying the film so as not to offend the British government. DreamWorks head Steven Spielberg was rumored to receive an honor from The Queen but a wide release of the film (which lampoons the UK government's treatment of Northern Ireland) would have scuppered that. Consequently the film was released in just 6 cinemas - and Spielberg got his honor. See more »
Look, I told you: I don't know who you've been talking to but he's a fucking liar! You'll find no herpes here!
That's what you said.
[points to his head]
Oh. I thought you said 'herpes'.
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Everyone I've told about this movie loves it. It says a lot about friendship, love (parental, fraternal, egocentric, altruistic) and about a country bifurcated by war and misunderstanding. As usual, with movies made in Ireland and Britain, the humor is broad and subtle at the same time and even the very minor characters are fully drawn. If ever there was a time for this film it's now. With surreal humor (although what is surreal these days?) it explores the meaning of hate, love, war and forgiveness. It is a movie about common lives that are circumscribed by conflict and about the way people cope with impossible and untenable situations: with the way, in short, that they survive. And it's funny! Billy Connelly as "Scalper" is, as usual, over the top in the best sense.
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