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Unbreakable (2000)

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A man learns something extraordinary about himself after a devastating accident.

Director:

M. Night Shyamalan
Popularity
949 ( 166)

The 'Glass' Connections Even the Cast Didn't Know

Glass connects the worlds of Unbreakable and Split, but creator M. Night Shyamalan and stars Samuel L. Jackson and James McAvoy also have some surprising connections ...

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2 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bruce Willis ... David Dunn
Samuel L. Jackson ... Elijah Price
Robin Wright ... Audrey Dunn (as Robin Wright Penn)
Spencer Treat Clark ... Joseph Dunn
Charlayne Woodard ... Elijah's Mother
Eamonn Walker ... Dr. Mathison
Leslie Stefanson ... Kelly
Johnny Hiram Jamison ... Elijah Age 13
Michaelia Carroll ... Babysitter
Bostin Christopher ... Comic Book Clerk
Elizabeth Lawrence ... School Nurse
Davis Duffield ... David Dunn Age 20 (as David Duffield)
Laura Regan ... Audrey Inverso Age 20
Chance Kelly ... Orange Suit Man
Michael Kelly ... ER Doctor
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Storyline

Actor Bruce Willis and writer/director M. Night Shyamalan reunite after the surprise success of The Sixth Sense for this supernatural thriller. David Dunn (Willis) is taking a train from New York City back home to Philadelphia after a job interview that didn't go well when his car jumps the tracks and collides with an oncoming engine, with David the only survivor among the 131 passengers on board. Astoundingly, David is not only alive, he hardly seems to have been touched. As David wonders what has happened to him and why he was able to walk away, he encounters a mysterious stranger, Elijah Prince (Samuel L. Jackson), who explains to David that there are a certain number of people who are "unbreakable" -- they have remarkable endurance and courage, a predisposition toward dangerous behavior, and feel invincible but also have strange premonitions of terrible events. Is David "unbreakable"? And if he is, what are the physical and psychological ramifications of this knowledge?

Plot Summary | Plot Synopsis

Taglines:

Are You Ready For The Truth? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements including some disturbing violent content, and for a crude sexual reference | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 November 2000 (USA) See more »

Also Known As:

No Ordinary Man See more »

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend USA:

$30,330,771, 26 November 2000, Wide Release

Gross USA:

$95,011,339

Cumulative Worldwide Gross:

$154,500,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX | SDDS | DTS-ES

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

M. Night Shyamalan came up with the idea for this movie while filming The Sixth Sense (1999), which also starred Bruce Willis. See more »

Goofs

In Elijah's gallery, original comic book cover art is shown to be colored, when in reality, the production work is always in black and white. See more »

Quotes

Elijah Price: Are you ready for the truth?
See more »

Crazy Credits

The producers wish to thank: Miramax Films See more »

Alternate Versions

A version shown on G4TV restored many (if not all) of the deleted scenes. See more »

Connections

Features The Jerry Springer Show (1991) See more »

Soundtracks

Lotus Blossom
(1962)
Written by Billy Strayhorn
Performed by Fred Hersch
Courtesy of Nonesuch Records
By Arrangement with Warner Special Products
See more »

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User Reviews

 
Personal Significance
17 August 2004 | by bilcal7-1See all my reviews

It seems this movie has taken a bit of heat, known by many as Shyamalan's "worst" film. It is often written off as slow moving, and the twist at the end as unoriginal and boring. I've heard people say the acting and camera work was awkward and stale and that the casting was poor. Ironically enough, as more people begin to dislike this movie, the more I seem to fall in love with it. This film has a lot of personal bearing with me, both as a student of psychology and a lover of movies and just plain art. I feel like I've taken this film under my wing during its times of criticism, and now I'd like to try and show everyone what exactly I love about it so much.

Shyamalan really showed a stroke of brilliance by getting Serra to be his cinematographer and to play around with the aestetics of the film. I don't know how or where Shyamalan is getting these guys for his movies, but I definitely love the style of each frame he shells out. Serra had been involved with predominately foreign films before Unbreakable. This was his first big American film, and I think you gotta give a little credit to Shyamalan for that. His unique and creative touch really added to the direction. In keeping with the "comic book" theme of the movie, you will notice that almost every shot is taken as if you are looking through or in between something. Like the squares of a comic strip. There is also a dark, slightly blue colored filter used throughout most of the film. This gives the movie a very bold, but eerie tone. Showing that the world can be a rough and scary place, but it can also be fought and overcome. It is evident that time and effort went into every shot. It may not slap many viewers in the face as brilliant, but it really strikes a chord with me.

As for the score, I am more than willing to argue that this is, hands down, James Newton Howard's best score of his very successful career. It is compelling and booming. It's very powerful, but not over-the-top and excessive. For anyone with the soundtrack, check out 'The Orange Man' and 'Visions'. These are two of the most powerful pieces of any film score around. And I stress the word "powerful". Yeah, he's no Hermann or Morricone, but the emotional weight and emotive power of his chords and his overall composition are just downright chilling.

The writing and the direction are just as captivating as the score. Almost every line of dialogue and every scene seems to be placed out on an island, alone so that everyone can stop and judge it. Some people might view this as cocky and/or boring direction, but I see it as daring and unique. Much of Shyamalan's writing is done that way. ('…I see dead people…' '...They call me Mr. Glass…' etc. etc.) Another aspect of the film that tickles my fancy is the underlying themes. I do believe, to a certain extent, that people do have somewhat supernatural powers at times. People have been known to make miracles and do unbelievable things. Maybe these things could be 'developed' in some way. These theories are, in a way, intertwined with some aspects of psychology, such as selective attention and self-actualization. If you care to discuss some of these ideas, let me know and I will relate them to the film through my eyes. In short, I do believe there is a superhero in everyone. It may not be through supernatural powers, but it may simply be through the act of reaching out to a person in need. Other themes of the movie, like how completely different people can always be connected in some way and how everyone has their vulnerabilities and weaknesses are intriguing, yet universal. From a psychological point of view, Shyamalan really gets inside the head of OI patients (osteogenesis imperfecta). He then brings this psyche to the next level with Jackson's character. Elijah, is very passionate but very tortured and evil. His interactions with Willis bring depth and focus to both the characters and the story. Certain scenes in the movie are really quite striking and powerful. The shots of Willis in his security poncho. The train station scene. Elijah's breathtaking fall on the stairs and many more speak so loudly to me and say so much in just a simple clip. For some reason this movie just speaks to me, like art. If anyone cares to discuss more about this film, that'd be cool. There is a lotta other cool stuff to talk about with this movie. Just thinking about it makes me want to watch it a few more times. It may not be the feel good film of the year, or the masterpiece that everyone was looking for, but it definitely sits well with me.


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