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Unbreakable (2000)

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A man learns something extraordinary about himself after a devastating accident.

Director:

M. Night Shyamalan
Popularity
43 ( 54)

The 'Glass' Connections Even the Cast Didn't Know

Glass connects the worlds of Unbreakable and Split, but creator M. Night Shyamalan and stars Samuel L. Jackson and James McAvoy also have some surprising connections ...

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2 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bruce Willis ... David Dunn
Samuel L. Jackson ... Elijah Price
Robin Wright ... Audrey Dunn (as Robin Wright Penn)
Spencer Treat Clark ... Joseph Dunn
Charlayne Woodard ... Elijah's Mother
Eamonn Walker ... Dr. Mathison
Leslie Stefanson ... Kelly
Johnny Hiram Jamison Johnny Hiram Jamison ... Elijah Age 13
Michaelia Carroll ... Babysitter
Bostin Christopher ... Comic Book Clerk
Elizabeth Lawrence Elizabeth Lawrence ... School Nurse
Davis Duffield ... David Dunn Age 20 (as David Duffield)
Laura Regan ... Audrey Inverso Age 20
Chance Kelly ... Orange Suit Man
Michael Kelly ... ER Doctor
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Storyline

Actor Bruce Willis and writer/director M. Night Shyamalan reunite after the surprise success of The Sixth Sense for this supernatural thriller. David Dunn (Willis) is taking a train from New York City back home to Philadelphia after a job interview that didn't go well when his car jumps the tracks and collides with an oncoming engine, with David the only survivor among the 131 passengers on board. Astoundingly, David is not only alive, he hardly seems to have been touched. As David wonders what has happened to him and why he was able to walk away, he encounters a mysterious stranger, Elijah Prince (Samuel L. Jackson), who explains to David that there are a certain number of people who are "unbreakable" -- they have remarkable endurance and courage, a predisposition toward dangerous behavior, and feel invincible but also have strange premonitions of terrible events. Is David "unbreakable"? And if he is, what are the physical and psychological ramifications of this knowledge?

Plot Summary | Plot Synopsis

Taglines:

Some things are only revealed by accident See more »


Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements including some disturbing violent content, and for a crude sexual reference | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 November 2000 (USA) See more »

Also Known As:

No Ordinary Man See more »

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend USA:

$30,330,771, 26 November 2000, Wide Release

Gross USA:

$95,011,339

Cumulative Worldwide Gross:

$154,500,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX | SDDS | DTS-ES

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The gloves Samuel L. Jackson's character wears at the end of the film are Nomex flight gloves. See more »

Goofs

In Elijah's gallery, original comic book cover art is shown to be colored, when in reality, the production work is always in black and white. See more »

Quotes

Elijah Price: One of us has made a gross error, and wasted the other person's valuable time.
See more »

Crazy Credits

The producers wish to thank: Miramax Films See more »

Alternate Versions

A version shown on G4TV restored many (if not all) of the deleted scenes. See more »

Connections

Referenced in Trophy Wife: The Punisher (2014) See more »

Soundtracks

II. Allemande from the English Suite in A minor, BWV 807
(1715)
Written by Johann Sebastian Bach
Performed by Murray Perahia
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing
See more »

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User Reviews

 
Rich yet subtle
1 July 2001 | by laconianSee all my reviews

My kudos to M. Night Shyamalan for proving the consistency of his moviemaking abilities. "Unbreakable" is a movie that is rich in both technical brilliance as well as script quality.

First, let me get my one objection for the movie off my chest. The ending could have been done better. The majority of the length of "Unbreakable" does an excellent job of building suspense, with the wonderfully muted, melancholy acting adding depth and tension to the plot. My problem is that it fails to live up to its own expectations; the ending does not consummate entirely what I expected it to. Somehow, in a movie that took painstaking details to illustrate every step and glance, concluding it in the manner that it did felt almost blasphemous. Maybe in a nameless action thriller it could be passed off as mere hackery. But here, it seems strangely out of place, kind of an enigma in itself...

Now that the ugly part is over with, I feel almost obligated to sing the praises of "Unbreakable". Shyamalan's prowess with photographic techniques and processes shows through in this, with rich reds and blacks given to scenes of moist emotion and colder colors dedicated to the bleak, uncaring (uncared for?) world. One technique I particularly liked was the manipulation of photographic mediums, some parts using crisp 35mm films and others using angry, shuttered magnetic (or 16mm?) film. In the end, it all worked very well, because each technique seemed to integrate seamlessly with the plot and mood (notice the confusion and panic at the very end?) "Traffic" is a good example of processing overdose. "Unbreakable", on the other hand, hones it perfectly. The lushness of this movie comes in close second to the wonderful eye candy of "American Beauty". I could watch it again easily... with the sound turned off!

On the more human side of the spectrum, the acting was wonderful. How nice it is to see Bruce Willis proving himself to be a true A-class actor! His unassuming and insecure behavior worked *perfectly* for this role. Samuel L. Jackson, like always, did a bang-up job with what the script gave him. Robin Wright and Spencer Clark's characters seemed a bit two dimensional, but they seemed to be minor roles compared to the prominence of Willis and Jackson's characters. A little character development would have been appreciated, but if the ending was a result of the time-constraint guillotine, then I would expect the developmental scenes to have gone too.

The thing that people seem to complain most about this movie is the plot. I like the premise. A little fantasy in our movies isn't such a bad thing once in a while, is it?


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