In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
David Dunn (Willis) is taking a train from New York City back home to Philadelphia after a job interview that didn't go well when his car jumps the tracks and collides with an oncoming engine, with David the only survivor among the 131 passengers on board. Astoundingly, David is not only alive, he hardly seems to have been touched. As David wonders what has happened to him and why he was able to walk away, he encounters a mysterious stranger, Elijah Prince (Samuel L. Jackson), who explains to David that there are a certain number of people who are "unbreakable" -- they have remarkable endurance and courage, a predisposition toward dangerous behavior, and feel invincible but also have strange premonitions of terrible events. Is David "unbreakable"? And if he is, what are the physical and psychological ramifications of this knowledge?
In the beginning of the movie, baby Elijah is crying and flailing his arms. Once the doctor inspected him, he said that his arms and legs were broken. He would not be able to move his arms and legs if they were broken. See more »
I've studied the form of comics intimately. I've spent a third of my life in a hospital bed... with nothing else to do but read. I believe comics are our last link... to an ancient way of passing on history. The Egyptians drew on walls. Countries all over the world still pass on knowledge through pictorial forms. I believe comics are a form of history... that someone somewhere felt or experienced. Then of course those experiences and that history... got chewed up in the commercial machine, got ...
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Early previews of the movie didn't have the superimposed text ending, leaving a more open ending. This version was released in France in theaters, but the text was next included in TV, video and DVD. See more »
Willis finds out some strange things about himself after being the sole survivor in a train wreck. Jackson tells him he's special. Is he really?
Unbreakable really is an act 1 superhero story stretched to feature lenght (Night tells us in an interview). Genius. For once I believe Willis is the person on screen, not that he's playing Bruce Willis, the cool actor. Night uses colors (mostly blue, purple and green) and well chosen camera-angles as imagesystems (word is that the storyboard read like a comic). Most of them really work out well. I loved the slow pacing of the film. It really takes it time to tell us what's going on. As usual Shyamalan puts human drama first in his script. The first scene where Willis meets the woman in the train... You have to see the genius of it. In a few lines of dialog Shyamalan let's us discover the character Dunn.
Another reason why I love this film is because Shyamalan shows he has courage to make THIS after the enormous success of The Sixth Sense, which I think is inferior to this film. I just know the studio execs where pushing for something more tangible than this, but he chose this instead. A homage to comic books. And it works! BEAUTIFUL!!
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