In 1862, Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against Bill the Butcher, his father's killer.

Director:

Martin Scorsese

Writers:

Jay Cocks (story), Jay Cocks (screenplay) | 2 more credits »
Popularity
945 ( 179)
Nominated for 10 Oscars. Another 50 wins & 125 nominations. See more awards »

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Cast

Cast overview, first billed only:
Leonardo DiCaprio ... Amsterdam Vallon
Daniel Day-Lewis ... Bill 'The Butcher' Cutting
Cameron Diaz ... Jenny Everdeane
Jim Broadbent ... Boss Tweed
John C. Reilly ... Happy Jack
Henry Thomas ... Johnny Sirocco
Liam Neeson ... 'Priest' Vallon
Brendan Gleeson ... Walter 'Monk' McGinn
Gary Lewis ... McGloin
Stephen Graham ... Shang
Eddie Marsan ... Killoran
Alec McCowen ... Reverend Raleigh (as Alec Mccowen)
David Hemmings ... Mr. Schermerhorn
Lawrence Gilliard Jr. ... Jimmy Spoils (as Larry Gilliard Jr.)
Cara Seymour ... Hell-Cat Maggie
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Storyline

In the god-forsaken district of early-1860s Lower Manhattan known as the Five Points, the vicious Nativist, Bill "The Butcher" Cutting, is the supreme overlord of an area riddled with crime, prostitution, theft and murder, as the American Civil War still rages on. Sixteen whole years after the brutal murder of his father from Bill's blood-stained hands, an orphaned Irish-American, Amsterdam Vallon, returns to this melting pot of corruption to avenge his untimely death; however, a lot has changed since then. Who can remember the once-innocent boy and now a young man bent on revenge, who works his way up to the hierarchy of Five Points? Will Amsterdam ever taste the dangerous but sweet fruit of retribution? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

America Was Born In The Streets. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for intense strong violence, sexuality/nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Once, after the day's filming was finished, Leonardo DiCaprio and Martin Scorsese talked Daniel Day-Lewis into going out to eat with them. He refused to break character, and the waitress was afraid to go near him. See more »

Goofs

When the competing volunteer fire companies are arriving at the house fire, one of the firemen can be seen wearing modern-day fireman's pants - perhaps an actual firefighter taking part in the scene as a safety precaution. See more »

Quotes

Priest Vallon: Prepare to meet the true lord.
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Crazy Credits

Aside from the altered studio logos, there are no opening credits and title, except for the beginning of the movie saying "Miramax Films Presents". The rest of the credits and the title are at the end of the movie. The title of the film is made up of pieces of type that would have been used in the 19th Century to print newsletters, posters, and flyers like the ones seen throughout the film. See more »

Alternate Versions

Scorsese's original cut of the film was 216 minutes (3 hours & 36 minutes) long. See more »

Connections

References An American Tail (1986) See more »

Soundtracks

Morrison's Jig/Liberty
Performed by Mariano De Simone
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User Reviews

He actually did it!
12 February 2003 | by RosacruxSee all my reviews

You'd think Scorcese has bitten a bit more than he could possibly chew, this time. Well, he didn't. Gangs of new York is not an "epic masterpiece" and it ain't that because I seriously doubt the directors aim was that. It's a great movie in it's own account, but you have to watch it in the right way.

The plot: Tight enough and well paced, with a couple of lows (expected for a three-hour film) but generally it comes out pretty neat. Some may find it disturbing, as it contains extreme violence and it does not portray an America of happy workers, even happier slaves, benevolent rich and just authorities - instead, it portraits the true 1860 society. Definitely not for those who like their films with plenty of sugar on the top.

The epic and the drama: Well, basically the film is the story of two men. Around them things evolve and a brave new world comes forth - but we only get to watch snapshots of that world. Until the last sequence, that is when the whole city "explodes" (in some occasions literally...) and the streets are being covered in blood, and the two aspects (the main story and the events of the era) are being tied together in the same continuum.

At the same time, the director attempts to portrait the whole birth and growth of the United States, in a kind of parabole, but without loosing his focus on the main story and the surrounding. Scorsese dives deeply into the psychology of his heroes, without giving out any explanation of their acts other than the probable - he lets us figure it out ourselves, and that's a God-given gift.

The visuals: The film is disturbing, as it contains extreme violence. There are literally streams of blood, hacking, slashing, crushing - even some action movie fans (hey dude, look, he smashed his head with that thing... cool, man!") might find some parts of the film interesting. The last sequence is visually astounding, and it's by it's own account a reason to watch this film over and over again... if you got the stomach to actually cope with the disturbing images, that is.

The actors: I didn't think it would come a day when I'd say that Leo Di Caprio can act, but ...here I go: The kid can act. And quite good too. Guess he needed a Scorsese to put him in the right path. Same with Cameron Diaz - she has got some potential, seems so. Too bad she wastes it in films like "the sweetest thing" and other throw-ups like that. And... Daniel Day Lewis. Truly, with this performance, they should give him the Academy award. He portrays the vile "Butcher" in a way few would be able of, and he adds depth to a character that could very easily end up "two-dimensional". He is stunningly good.

New York, New York: Scorsese gets involved in something that compares to his previous work the way a fancy little sports car compares to a huge truck: A grandioso film of epic proportions and of great ambition. He does deliver, I believe. But this film shall not be acknowledged universally, because there is too much violence, corruption, lack of the good old white vs black (good vs evil, I mean) concept and does not sweeten the pill in any way. It's disturbing and raw, and it's a great. It's not a political film - in such, the director usually picks a stance, a "true" hero, an opposing view, and builds upon those. In this case, the director is truly endistancemented and keeps that distance, even from his "hero". There are no "good" people in that movie, all are acting like chess pieces in a predetermined way, but at the same time they try to burst out and do their own.

The verdict: A fabulous film, which is going to be recognized for such in some years


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Details

Country:

USA | Italy

Language:

English | Irish | Chinese | Latin

Release Date:

20 December 2002 (USA) See more »

Also Known As:

Gangs of New York See more »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$9,100,000, 22 December 2002

Gross USA:

$77,812,000

Cumulative Worldwide Gross:

$193,772,504
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
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