Sheena grew up in the African wild, raised by a mystical witch woman. When her foster mother is framed for a murder Sheena is forced to flee, helped by her ability to talk to animals and her knowledge of the jungle.
An LA homicide investigator moves and starts a murder investigation after a woman's hand etc. are found at a dump. Could it be a Jennifer (victims of a serial killer are called Jennifer).? It leads him to a witness; a cute, blind woman.
In 1950s, two incestuous lovers, a depraved suave journalist and his equally depraved prostitute sister, plan to get rich through seduction and murder. Things complicate when their feeble-minded mother begins to suspect something.
Angel is a dancer wishing to adopt a child. Stormy is a dancer with a secret with her brother Sully. Jasmine is a poetess who falls in love with Dennis. Jo is a dancer who became pregnant and Jessie is a woman fighting to survive in Hollywood. The link between them is the fact that they dance at Blue Iguana, a strip-club managed by Eddie. Their personal dramas are the theme of this movie.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Angel takes a picture of the billboard advertising the Blue Iguana with her picture on it, the phone number for the Blue Iguana on the billboard is clearly seen. The number actually belongs to the Jet Propulsion Laboratory in Pasadena. See more »
Jo frequently takes long swigs from her whiskey container, yet never swallows any drink and speaks immediately after taking the container away from her mouth. See more »
[Whistling and waving]
Officer? Officer, could... could you help me with... I... Could you help take a picture of my... I want to take a picture of myself in front of this billboard.
Officer Pete Foster:
Is that you?
Officer Pete Foster:
I'm a lot smaller in person.
See more »
On the DVD commentary Michael Radford says there are enough deleted scenes to make 10 entire different versions of the whole movie. Each scene was re-filmed over 12 times as Dancing at the Blue Iguana was improvised and Michael got the actors to try each scene with alternate dialogue several times until the actors had no ideas left. However, only a select few deleted scenes/alternate takes are included on the DVD. See more »
It is my understanding that the most of this project was done via improvisation which would explain for its peaks and drops. I would imagine that filming a project based on improv is difficult but at times this cast of actors make it look scripted. At best, Jennifer Tilly shows one how its done, at worse, you wish Darryl Hannah had a script.
Here you are presented a few days in the lives of your regular ordinary everyday working strippers/dance gals at a club that is..where else but the Los Angeles San Fernando Valley. You get it all, the drugs, the cat fights, the sex and the overall portrayal that its just a job, a job that is like any other with all the same problems. The five main characters do it well. Jennifer Tilly is the best, Sandra Oh runs a very close second. I was a tad disappointed in Shelia Kelley's character, but Shelia did great with what she had to work with, and I felt the same with little Charolotte Ayanna's character portrayal as well. But Darryl Hannah, who's character was pretty developed more than all the others was pretty sad to watch under this method of outlined improv. The owners of the club were good as well with what they were handed, I just wish I could have known more about them and what made them tick to be at this club. One of the best scenes that makes this kind of dramatic acting inprov filming/work come together is the end with the stripper/writer character played by Sandra Oh and the overglorified porno star who danced for the evening played by Kristin Bauer.
This film had a few small holes here and there to me, but I really enjoyed watching the actresses and actors work with this kind of project on this kind of level..and if you watch some scenes real close, you can see that a few of the actresses and actors were surprised at the lines coming out of other actresses mouths which is what I believe this project was all about. Only on that level, I grant this film of a peek into the lives of these women -- as an overall success and I hope that other film makers explore the genre. It's brings alot of realism in a fictional background.
A must see for anyone studying acting, a rare kinda find for us the regular film viewer, and for those who want to turn in to their cable sets in the middle of the night and watch a bunch of girls strip and dance -- well, that's there too, but Michael Radford lets you know, that is not what is important.
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