Unfinished remake of "My Favorite Wife," due to the firing of Marilyn Monroe from the film. She was eventually re-hired, but died in August, 1962. Film was never completed.

Director:

George Cukor

Writers:

Bella Spewack (screenplay "My Favorite Wife"), Sam Spewack (screenplay "My Favorite Wife") | 3 more credits »
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Cast

Cast overview:
Marilyn Monroe ... Ellen Arden
Dean Martin ... Nick Arden
Cyd Charisse ... Bianca Arden
Tom Tryon ... Stephen Burkett
Alexandra Heilweil Alexandra Heilweil ... Lita
Robert Christopher Morley Robert Christopher Morley ... Timmy
Wally Cox ... Shoe Salesman
Phil Silvers ... Insurance Salesman
John McGiver ... The Judge
Grady Sutton ... Bailiff
Eloise Hardt Eloise Hardt ... Secretary
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Storyline

Years after his wife, Ellen, was lost at sea, Nick has her declared legally dead and remarries. That same day, Ellen is rescued from a desert island and returns home. This unfinished remake of "My Favorite Wife" was the last film Marilyn Monroe worked on before her death in 1962. Most of the footage was unseen, until it was restored into a 37-minute short which aired on television on June 1, 2001. Written by L. Hamre

Plot Summary | Plot Synopsis

Genres:

Comedy | Short

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

1 June 2001 (USA) See more »

Also Known As:

Marilyn - Ihr letzter Film See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(2001)

Sound Mix:

Stereo (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The instrumental version of "Something's Gotta Give" by Ray Anthony & His Orchestra was originally in Daddy Long Legs (1955) which starred Fred Astaire and Leslie Caron. When the digital restoration and reconstruction was undertaken for the unfinished film, 20th Century-Fox inadvertently mixed in Anthony's instrumental version of the song for Marilyn's famous 'swimming pool' sequence at no cost since Fox also produced the Astaire vehicle. A different instrumental background - originally to be for the film - can be heard in an alternate take of the swimming pool scene that appeared on a Marilyn Monroe CD compilation issued by Hollywood Soundstage; this music was eventually used later on in the film as Monroe's character is encountered by Phil Silvers as she rests nude on the edge of the pool. See more »

Quotes

Ellen Wagstaff Arden: Would you have lunch with me?
Shoe Salesman: [Flustered] I bring my lunch to the store.
Ellen Wagstaff Arden: [Leaning forward, putting her chin in her hand] I'd be so grateful if you'd take it out.
See more »

Connections

Remade as Move Over, Darling (1963) See more »

Soundtracks

Something's Gotta Give
Written by Johnny Mercer
Courtesy of Twentieth Century Music Corporation
Instrumental version performed by Ray Anthony and His Orchestra
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Frequently Asked Questions

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User Reviews

Oh, For What Might Have Been, Maybe
25 October 2005 | by robertinlosangelesSee all my reviews

This could have been one quite-good movie. AMC assembled the footage that was shot prior to MM's death-- but if you're reading this, chances are you know this-- and from every indication, it could have turned out to be an enjoyable sex farce, perhaps a groundbreaking one, as it pushed the envelope just a little further.

First, Monroe looked great in the tests as well as in the completed footage. She could get her act together if handled right. Second, and this fact cannot be overlooked, she was playing a MOTHER-- of children-- for the first time. And a sexy, mid-30s mother at that! Way back in 1962, 40-odd years before "Desperate Housewives," sexy moms were unheard of. Nobody considered that a woman was still a woman, even after having a kid or two.

Second, "Something's Got To Give" had a great cast. Both Dean Martin and Cyd Charisse were perfect as the other two angles in this screwball triangle, Martin quite convincing as a comic suburban dad and Charisse exemplary as Monroe's sexual foil. And the cameos from comedians ranging from Wally Cox to Steve Allen only added to the parfait.

But above and beyond Monroe and the casting, "SGTG" had George Cukor at the helm. Cukor knew a few things about comedy and could bring a presence to any film bearing his directorial touch. He knew what makes things funny. Think the Tracy-Hepburn classics. Think "The Women." Think "What Price Hollywood." No, DON'T think "My Fair Lady" nor "A Star Is Born."

There's talk about finishing this film digitally. Just one question: why? Unless someone can digitally resurrect George Cukor from the grave, there'd be no point.

Something's got to give? Something DID give, damn it. Marilyn Monroe gave into her demons, and what might have been a new start for Monroe's career as we witnessed maturing sexuality never got a chance.


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