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With a Friend Like Harry... (2000)

Harry, un ami qui vous veut du bien (original title)
Trailer
1:18 | Trailer
Harry knew Michel in high school; they meet again by accident, Harry inserts himself in Michel's life... and things take a sinister turn.

Director:

Dominik Moll

Writers:

Dominik Moll (scenario), Gilles Marchand (scenario) | 1 more credit »
Nominated for 1 BAFTA Film Award. Another 7 wins & 14 nominations. See more awards »

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Cast

Complete credited cast:
Laurent Lucas ... Michel
Sergi López ... Harry (as Sergi Lopez)
Mathilde Seigner ... Claire
Sophie Guillemin ... Prune (Plum)
Liliane Rovère ... Mother
Dominique Rozan Dominique Rozan ... Father
Michel Fau ... Eric
Victoire de Koster Victoire de Koster ... Jeanne
Laurie Caminata Laurie Caminata ... Sarah
Lorena Caminata Lorena Caminata ... Iris
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Storyline

Michel, his wife Claire and their three little daughters Jeanne, Sarah and Iris are traveling to their cottage in Switzerland to spend summer vacation. When they stop the car, Michel goes to the toilet and a man stares at him. Soon the man introduces himself as Harold "Harry" Balestoro, who studied with Michel in high school and knows him very well. When Michel and his family go to their car, Harry parks his Mercedes Benz and introduces his fiancée Plum to the couple and invites themselves to travel to Michel's house for a drink. Later her recalls by heart a poem written by Michel and shows that he was obsessed for Michel. Harry is surprised that Michel does not write anymore and tells that he is wealthy since he has inherited his father's investments. Michel and Claire are middle-class and are still repairing their cottage by themselves. Harry and Plum stay for the night in the guest room and in the morning, Harry gives a 4x4 V6 Pajero to his new friends. They do not accept but ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Who needs enemies?


Motion Picture Rating (MPAA)

Rated R for language, some violence and a scene of nudity | See all certifications »
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Details

Official Sites:

Diaphana [France]

Country:

France

Language:

French | Spanish

Release Date:

15 June 2001 (USA) See more »

Also Known As:

With a Friend Like Harry... See more »

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Box Office

Opening Weekend USA:

$29,495, 22 April 2001

Gross USA:

$3,830,441

Cumulative Worldwide Gross:

$15,476,522
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Miramax Films released U.S. version in theaters. See more »

Quotes

[on how to deal with difficult parents]
Harry Ballestero: You have to overreact.
See more »

Crazy Credits

In the opening credit sequence, a straight-down aerial shot, the letters of the credits cast shadows on the ground (with realistic penumbras) as if they were actually suspended in mid-air. See more »

Connections

References The Wrong Man (1956) See more »

Soundtracks

Ramona
Written by L. Wolfe Gilbert (as L.W. Gilbert) and Mabel Wayne (as M. Wayne)
Performed by Dolores del Rio
Publishing 1927 by EMI Catalogue Partnership
By permission of Editions EMI Catalogue Partnership France
See more »

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User Reviews

Still Moments
16 September 2001 | by tostinatiSee all my reviews

The thing I appreciated most about this movie was the still moments, so unlike the average bombastic Hollywood product that never has a stop-and-listen moment, a stop-and-consider moment or a stop-and-feel moment. (Ever notice in American movies of the last ten years, even when the characters are stopping to think --rare as THAT is-- there is a veritable tempest of Wagnerian bluster on the sound track. Mainstream movies have gotten to where they never, NEVER shut up and let up, even for a moment; you must be manipulated every second you are in the theater. I walk out of "intense" movies, not exhausted, but rather, quite vexed by the hammy, heavy-handed obviousness of it all. --And a little deafened, usually, besides.)

There was nothing obvious in this film. At the end, you feel closure, and yet you are free to wonder at exactly what Harry's behavior meant and about the origins of his unique world-view. That is a thing to treasure, a movie that knows enough what it is about to offer closure, yet leave your mind free to wander over the relationships and lives of the people you have just watched briefly from a distance, and reflect on possible meanings.

A wonderful film.


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