On July 23 of 1802, the Duchess of Alba, the richest and most liberated woman of her time, offers a gala to inaugurate her new palace. Attendance is extraordinary: the Prime Minister Manuel...
See full summary »
Spain in the mid-seventeenth century. A series of bloody wars has ravaged the nation. Don Juan the nobleman and his valet, Sganarelle, roam the countryside on horseback, on the run and lost... See full summary »
Three women from three different generations and walks of life find themselves in a very hot, semi-deserted Spanish town. Patricia is a 17 year old roaming Spain in search for a certain man... See full summary »
Álvaro Fernández Armero
Madrid, 1974. Former women's jail of Yeserias. Lucia, a girl well situated in society, is condemned to spend ten years in jail due to her relation with a politic militant against Franco's ... See full summary »
Horty, a French foundry worker, wins a contest and is sent to see the sailing of the Titanic. In England, Marie, saying she is a chambermaid on the Titanic and cannot get a room, asks to ... See full summary »
The young nobleman Calisto falls in love with Melibea, the daughter of a rich merchant. Calisto's servant Sempronio suggests they get the sorceress Celestina to further the romance. However... See full summary »
Juan Diego Botto
Pablo hates everything. When Lucia comes into his life, he thinks she's the woman he dreams of, and sees the solution to all his problems. But Lucia, who is rather manipulating, is just ... See full summary »
Pablo knows already, in his twenties, what he wants from life: to become a musician, be likeable to his mother, and find a lovely, faithful and nice boy to share the rest of his life with. ... See full summary »
Not Love Just Frenzy is a fast and funny adventure through the wild Euro club scene in the style of the scandalous Pedro Almodovar! A group of hot and horny twentysomething friends looking ... See full summary »
Enza, 16, a drop out, is arrested with her older sister, Rosaria, for shoplifting. They're sent to a reformatory run by hard-nosed nuns. The girls tease Enza because she's a virgin. So, on ... See full summary »
On July 23 of 1802, the Duchess of Alba, the richest and most liberated woman of her time, offers a gala to inaugurate her new palace. Attendance is extraordinary: the Prime Minister Manuel Godoy, the painter Goya and Pepita Tudo, lover of Godoy and his model Goya's famous painting The Nude Maja. The next morning, the Duchess of Alba is found dead in her bed in mysterious circumstances. Based on the novel by Antonio Laretta.
luxurious and luxuriant fetishness pervades, amid inaccurate historical background
Bigas Luna is not exactly the easiest of Spanish directors with whom to come to terms. His stories tend to wade neck-deep in sophismic quagmires, aided and abetted by insolently visual splendours, which, however, for the intelligent viewer will not succeed in covering up certain lackings which place this director a long way away from Buñuel, or even Saura if you push me. After having been besieged throughout his `La Camarera del Titanic' which left me neither hot nor cold and wondering where the supposed story went under the overlay of irritating sumptuousness, I ventured into watching `Volavérunt' more from my personal interest in the famed Spanish artist Francisco Goya, and to see how Aitana Sánchez-Gijón and Penélope Cruz - who are intimate friends - would bear up, rather than any attraction Bigas Luna might have.
The story revolves around Goya's womanising and the mysterious death of the Duchess of Alba at the end of the 18th and beginning of the 19th Centuries, at a time when Madrid was wobbling through a difficult time and setting the scene for the following Prim vs Crown uprising. The title of the film comes from the Duchess of Alba's euphemism for her most private parts, supposedly revealed in the famous painting `La Maja Desnuda' but which in fact is another woman's body - possibly Pepita Tudó (Penélope Cruz). `Las Majas' were originally called `las gitanas' (gypsy women), but in those days `maja' meant a liberal woman who enjoyed her sexuality and sensuality.
The sets are superb, at least as good as any other period piece films I have ever seen; Franca Squarciapino's costumes are extravagantly magnificent; Asturian courtyards, heraldic-emblazoned palaces and luxury carriages pass by in front of your eyes. But the story is stulted, overwhelmed perhaps by such an immense visual banquet.
Jordi Mollà played an unconvincing Godoy; you should see him in `La Buena Estrella' (qv). And as for our two lovely actresses, I can only opine that Carlos Boyero in his insolent and infinitely unrefined article in `El Mundo' when this film was shown at the San Sebastián film festival, was right at least in saying that they are superbly beautiful, but they too need rôles which can show they are good actresses. Amen: in `Volavérunt' they were not able to show anything - apart from a fair amount of sexuality.
At a grand gala dinner held in the midst of so many conspirations in and out of the royal palace, a fascinating piece of music can be heard: it is the last movement of `El Retrato de Madrid' (Portrait of Madrid) by the Italian composer Luigi Boccherini who for many years was the Spanish Court's official maestro da capela; this piece was composed some years later than the film's story.
11 of 16 people found this review helpful.
Was this review helpful to you?
| Report this