The story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Navy S.E.A.L. sniper Chris Kyle's (Bradley Cooper's) pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
In World War II, the fall of Stalingrad will mean the collapse of the whole country. The Germans and Russians are fighting over every block, leaving only ruins behind. The Russian sniper Vassili Zaitsev stalks the Germans, taking them out one by one, thus hurting the morale of the German troops. The political officer Danilov leads him on, publishing his efforts to give his countrymen some hope. But Vassili eventually starts to feel that he can not live up to the expectations on him. He and Danilov fall in love with the same girl, Tanya, a female soldier. From Germany comes the master sniper König to put an end to the extraordinary skilled Russian sniper.Written by
The locomotive used for filming the troop train scene is, ironically, a German-built "Kriegslok" ("war locomotive"). About 2700 were captured by the Soviets but not used by the Soviet Railways until after the war (see Goofs). See more »
The film often shows vast expanses of empty ruins within Stalingrad, particularly when Zaitsev and Konig are hunting one another. This would have been physically impossible at the Battle of Stalingrad, as hundreds of thousands, if not over a million solders were crammed into an area of only a few square miles. See more »
[whispering to boy aiming rifle]
I am a stone. I do not move. Very slowly, I put snow in my mouth. Then he won't see my breath. I take my time. I let him come closer. I have only one bullet. I aim at his eye. Very gently, my finger presses on the trigger. I do not tremble. I have no fear. I'm a big boy now. Ready Vassili? Now, Vassili, fire!
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In the grand tradition of Old Hollywood, this international co-production seeks to frame the key battle of WW2 (the REAL key battle, not the ones from the John Wayne movies) as a morality tale involving a love triangle.
It is a bold idea, and beautifully executed.
In fact an argument could be made -- and I will make it -- that any flaws in the execution (it lags a bit here and there) are the result of the film-makers' "reach exceeding their grasp" and they attempted too much, more than one film could ever accomplish.
But what a film it is! You viewer feel as though you are there, making history. The four stars involved have, each of them, never given a bad performance in their careers and they surely maintain their records here.
Ed Harris in particular -- although he has less screen time -- will always to this reviewer seem a vastly under-rated actor. (This review written in 2017 where an older Harris still uses his charisma in a defining role for HBOs Westworld .... and nails it.) Recommended? Absolutely! In the Metacritic data that IMDb so helpfully provides I could not help but notice one reviewer commenting that, well, it sure isn't in the same class as SAVING PRIVATE RYAN.
Which is the irony of doing film reviews. I have never not once thought of wanting to see SAVING PRIVATE RYAN again, but this film is one I like to revisit every few years. Magnificent.
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