This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
Dark, biting satire of the television industry, focusing on an Ivy League educated black writer at a major network. Frustrated that his ideas for a "Cosby Show"-esque take on the black family have been rejected by network brass, he devises an outlandish scheme: reviving the minstrel show. This is the hook: Instead of white actors in black face, the show stars black actors in even blacker face. The show becomes an instant smash, but with the success also come repercussions for all involved.Written by
N. Cognito <nobody@noplace>
You know, I grew up around black people my whole life. I mean, if the truth be told, I probably know niggas better than you. And don't go getting offended by my use of the quote-unquote N-word. I have a black wife and two biracial kids, so I feel I have a right. I don't give a God damn what that prick Spike Lee says. Tarantino was right. Nigger is just a word. If Ol' Dirty Bastard can use it every other word, why can't I?
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The opening credits for the film roll at the end. See more »
This is Lee's best film. It isn't heavy handed despite the explosive topic. In fact I would argue that the images in this film are less offensive then some of the depiction of African-American life seen on MTV or BET. Less heavy handed then some of the vulgar depiction of my community that is allowed to be foisted on my community as entertainment. The modern minstrels show can be seen any night of the week on America's cable music networks. Which is more embarrassing Lil'John, 50 cent or Mantan? Which has had a bigger impact on the daily lives of African-American children, images of Step- N-Fetch it or Lil'John? Which are the stereotypes that are used to justify racial profiling in the larger public of the country in 2006, Gangstas or minstrels performers? It is a film about the power and responsibility of black America to control the images that define it.
I think Lee for the first time in a long time had a story he actually wanted to tell. The script was solid if not great. As usual Spike had a tough time with his female characters. The women in his films tend to be two dimensional. All good or all bad. It wasn't a perfect film but I think it will be remembered as one of Spike's most interesting.
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