6.6/10
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14 user 17 critic

Christie Malry's Own Double-Entry (2000)

Trailer
1:42 | Trailer
A man uses the principles of double-entry bookkeeping to settle his accounts with society.

Director:

Paul Tickell

Writers:

Simon Bent (screenplay), B.S. Johnson (novel)
Reviews
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Nick Moran ... Christie Malry
Neil Stuke ... Headlam
Kate Ashfield ... Carol
Mattia Sbragia ... Leonardo da Vinci
Marcello Mazzarella ... Pacioli
Francesco Giuffrida Francesco Giuffrida ... Salai
Shirley Anne Field ... Mary the Mother of Christie
Sergio Albelli Sergio Albelli ... Duke Ludovico
Salvatore Lazzaro Salvatore Lazzaro ... Giacomo
Peter Sullivan ... Wagner
Tabitha Wady Tabitha Wady ... Lucy
Mel Raido ... Bernie
Stéphanie Gesnel Stéphanie Gesnel ... Sylvie
Roger Frost Roger Frost ... Vicar
Peter Quince Peter Quince ... Stegginson
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Storyline

A man uses the principles of double-entry bookkeeping to settle his accounts with society.

Plot Summary | Add Synopsis

Taglines:

For Every Credit There Must Be A Debt See more »

Genres:

Drama | Thriller

Certificate:

See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | Netherlands | Luxembourg

Language:

English | Italian

Release Date:

16 August 2002 (UK) See more »

Also Known As:

Christie Malrys blutige Buchführung See more »

Filming Locations:

London, England, UK See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Nick Moran and Peter McNicholl appeared in 'Lock, Stock, and two smoking barrels'. See more »

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User Reviews

 
I Love the Sound of Breaking Glass
4 November 2009 | by Ali_John_CatterallSee all my reviews

Before it was picked up by ILC Pictures (handlers of Urban Ghost Story, among others) Christie Malry's Own Double-Entry caused a minor furore on the film circuit. Most distributors turned it down, prompting leading man Nick Moran to dash off missives to all and sundry, pleading for its release.

It's easy to see why they were nervous: as with his debut feature, Dublin-based outlaw yarn Crush Proof, director Paul Tickell would rather chew off his own leg than compromise his vision. As Moran says (with more than a hint of past grievances), "Malry... isn't some Mockney film, or romantic comedy." In this visually audacious, updated adaptation of the short novel by cult writer BS Johnson (who committed suicide in 1975), Moran plays the eponymous, none-too-gifted nerd, waging war on his enemies - real and imagined - using a simple, if highly effective credit and debit system.

Before the first hour's up, callous bosses, and others (including the Inland Revenue, the newsagent who sold his cancerous mother her cigarettes, Ben Elton and Oasis) have been duly filed away in the 'debit' bracket, and 'credited' with anything from a bomb through the window, to mass murder via the nation's water supply. (Media terrorist Chris Morris is a 'credit'.) Though shot well before 11 September 2001, Christie Malry's Own Double-Entry is bizarrely prophetic in places too - with its scenes of terrorism, governmental panic, and planes over the Middle East (direct results of Malry's extra curricular activities). By the time "God" has been singled out for more than a Chinese burn, Malry's fate is a foregone conclusion.

Interwoven throughout is a joint storyline - set in the 15th century and concerning Leonardo Da Vinci and the Franciscan monk who originally dreamt up the Double Entry system - though this works less effectively.

Following up a true original like Crush Proof wasn't going to be easy, but Tickell has just about pulled it off. Christie Malry's Own Double-Entry is a demented hybrid of Billy Liar and twisted Nietzschean excess, and every frame crackles with energy. The film is further enhanced by a terrific soundtrack by Auteurs frontman Luke Haines. Just don't expect to enjoy your hotdog.


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