Cowboy Bebop

Cowboy Bebop is a series that should need no introduction to anime fans. However, for anyone unfamiliar with the show, it's basically about space bounty hunters set to an old time jazz music soundtrack with plenty of classy old time stories and dark morals along the way. If you like action, space, jazz, or comedy, you may like Cowboy Bebop. If you like old time bounty hunter, private eye, or detective movies, you'll probably like Cowboy Bebop. If you like dark stories with twists that really make you feel for the characters, you'll like Cowboy Bebop. This is one series you don't have to be an anime fan to appreciate, but you have to be willing to give it a fair chance.

A single episode of Cowboy Bebop packs more punch than several entire anime series I know of. If you're not a fan of the show by the end of episode one alone, you probably won't be. The characters are as real as any old time bounty hunter / detective movie, and every bit as interesting. The sci-fi space twist doesn't take away from the show in the slightest, it adds much. A good way of thinking about the show is Lupin the 3rd mixed with Outlaw Star, with more depth. With episode titles like Asteroid Blues, Honky Tonk Woman, Waltz for Venus, and Jupiter Jazz, the space, class, and jazz heavy style is quite apparent from the beginning. This isn't just some theme slapped on top of an anime, rather a critical part of the show.

The characters are well rounded and all very interesting. Unlike a lot of anime, there is no annoying character you wish they would have left out. Each character is given equal importance, though the show centers on the bounty hunter Spike.

Spike describes himself as an "old fashioned cowboy." He spends a lot of the series searching for someone he once knew, I'll avoid details so I don't spoil anything. He could be a master thief if he so choose, his dexterity and fighting skills are nearly unmatched. With a good 'whatever' attitude, he's great fun to watch.

Jet is more of an old time detective. He's the owner of the ship "Bebop", and best friend of Spike. He does his fair share in bounty hunting like Spike, mostly gathering information and providing backup to Spike.

Faye is pretty much the anime embodiment of the women from detective movies. A fiercely materialistic woman, she does whatever it takes to get what she wants. She's not against stealing from anyone or using anyone to get it, then leaving them cold. An incredible bounty hunter in her own right, she joins the team without invitation or welcome. Much hilarious bickering and bounty thefts come between Faye and Spike from the outset.

Ed is a hacker genius girl who joins the group after a promise from Faye to get information. They try to leave her dry after they get what they need. but Ed's hacking skills make that impossible. She's often comic relief, and may be insane. Who can tell? In any case, when hacking or computer skills are needed, Ed is there. When not needed, she's. still there, being a hilarious pain in the neck. She's often with Ein, a seemingly ordinary mutt that gets picked up along the way with a few not so hidden talents.

In any case, Cowboy Bebop is a series anyone should watch. It has some language, a lot of violence, and some dark stories, but nothing that any kid these days hasn't seen a hundred times over. Even if you're not a bounty hunter or jazz fan, give this series a shot. Don't be surprised if you start to take a liking to jazz music or Yoko Kanno's amazing music. Congrats to Cartoon Network for bringing over the incredible dub, but check out the sub if possible. Enjoy. I refuse to end this rant with that catchy ending of each episode. Sorry. ^_^

• Rirath_com

Cowboy Bebop should need no introduction; it's more than a uniquely defining series on several levels. Shinichi Watanabe crafted this mostly episodic anime with a beautiful plot arc that doesn't detract a bit from any moment in the series.

Following the misadventures of a crew of unlikely bounty hunters through the future solar system, Bebop liberally dabbles in jazz, both the music and the attitude. The lead character, Spike Spiegel, is as much an antihero in the anime tradition as he would be in a Hemingway novel- witty and gutsy, with a twist of nihlistic worldview. Along with Spike, each part of the ensemble main cast do more than enough to stand out on their own, with perfectly human qualities. Jet Black, the gruff pilot, is truly epitomized in the episode "Ganymede Elegy," where he confronts an old flame. Ed and Ein, the genius teenage hacker and her supersmart Corgi dog, throw the limits of standard comic relief out the window. And who could forget Faye Valentine, the eat-your-heart-out sprite of a woman with pizazz, flair, and a penchant for gambling.

If you're not a fan of anime because of its tendency to be far-fetched and downright weird at times, Bebop is the right starter series for you. A melodrama, a jazzy jam session, and a sci-fi detective thriller all wrapped into a tight, upbeat package. Superb.

Cowboy Bebop is by far the best anime series I've ever had the pleasure and privilege of experiencing. This is not a kid's show, by any means. Finally, a REAL anime feature that doesn't involve something dealing with putrid children's themes and overly flagrant characters. Cowboy Bebop is none of these. It has its share of comical scenes, but it seamlessly integrates them into a web of other predominant emotions; drama, action, thriller, suspense...

Cowboy Bebop is the epitome of cool and intelligent anime. An art I thought had long since been forgotten.

You will enjoy the witty dialog as well as the action scenes, dramatic sequences, and most of all the incredible musical integration; jazz and other cultural music that allows for an incredibly open palette of emotions as you view the action on the screen. (Expect the unexpected.)

The voices they chose to play the dubbed, English version of the Original series couldn't have been planned better. It strays from the stereotypical high-pitched whiney and otherwise annoying voices that usually plague a good anime port. Not this one. The roles are taken seriously and were performed VERY well.

This series is definitely speaking to an older audience, something rare in ported/dubbed anime series these days. I am grateful for having the opportunity to experience this wonderful masterpiece.

Cowboy Bebop is, by definition, art.

I used to generally dislike anime due to it's distinct character design which I am not fond of.

Still, I've tried watching series like JoJo, but it just wasn't my jam.

Cowboy Bebop however, despite the classic character style, is just waaaay to good - the music, the aesthetic, the animation, the story, everything is just too amusing not to watch it.

Give it a try!

Cowboy Bebop is a truly post-modern show. Not in the tired "Scream" sense of self-awareness, but in its willingness to mix genres and blur boundaries. At the most basic level it's a Space Western. But Bebop is not content to be merely that, so there are added dashes of film noir, gothic horror, creature-feature, black comedy, screwball comedy, spy action, crime, romance, tragedy, action, philosophy, science, spirituality, fatalism, optimism, buddy-buddy stories, slapstick humour, parody-- just about every type of tale under the sun appears in some shape or form during Bebop's run. It's a show where each episode really is different from the last. Were it not for the recurring characters, it would be hard to believe that the brightly-coloured blaxploitation parody "Mushroom Samba" could possibly come from the same series as the bleakly violent "Real Folk Blues".

The world that the series inhabits is distinctly post-modern, too; space ships fly through hyperspace gates, but once on the ground their pilots fight with twentieth-century handguns. Scenic bays would look for all the world like they were taken from modern-day Japan were they not dwarfed by Jupiter, the enormous gas giant looming in the sky like some enormous benevolent god.

And the music - tribal drums and chants give way to electronic pulses that give way to jazz sax and trumpets that give way to rock guitars that give way to blues harmonicas... composer Yoko Kanno faultlessly turns her hand to an eclectc selection of genres and instruments, ably backed up by her band, "Seatbelts".

All of which sounds terribly impressive, but why on Earth should you watch it? Because, buddy, it's one of the finest television shows ever made.

I have to admit I'm not a big anime fan. Most anime that makes it over here seems to be either about schoolgirls with supernatural powers who battle evil, or adolescent boys who - for some convoluted reason - wind up having to pilot big giant robots. And whilst I'm assured that shows such as Escaflowne (schoolgirls and magic) and Evangelion (boys and robots) are actually rather good, they completely fail to get my blood pumping.

Enter Bebop. Ultra cool Spike, grumpy strategist Jet, trigger-happy Faye, nutball Ed and intelligent dog Ein are as far away from the usual brats and bots anime as you can possibly get. Their motivation, too, is far from the usual anime fare. These guys aren't bounty hunters because they want to fight crime and keep the peace - all they want is a wad of cash, and bounty hunting seems like the best place to make big money fast. Although they will do the right thing when pressed, they rarely forget their true motivation - and if they do, their perpetual lack of food will soon remind them. Life isn't easy, and when you're a bounty hunter it's even harder.

Not that the crew of the spaceship Bebop are one-note characters. As the series progresses, our initial assumptions about the characters are overturned. At first Spike appears to be the cliched laid-back slacker (who just happens to be a mean jeet-kun-do fighter), but we then learn of his fall from the criminal underworld and of a loss that killed him emotionally. Jet's the obvious gruff authority figure, until we realise that he actually cares for the crew of the Bebop as if they were his kids (and seems to have dabbled in pot and psychadelic drugs when he was a teenager). Faye's the usual feisty stand-offish female lead but only because her amazingly tragic past makes her push away friends for fear that she'll become attached to them. Ed's just some nutty kid until we meet her crazy father and realise that it could well be her deprived childhood that sent her over the edge. And Ein? Well sometimes it's hard being a super intelligent Welsh Corgi on a ship where nobody appreciates you, you know?

But not every episode is deathly serious - the character development is mixed in perfectly with humour (both light and dark), fistfights, shoot-outs, car chases, aerial fights, space battles and some of the lushest animation you'll see in an animated TV series. And all of this spread over only 26 episodes.

Yes, many people espouse the old "leave 'em wanting more" line, but so few of them actually do it; Buffy the Vampire Slayer is the perfect example of a series that spends three or four years being top-notch TV then freefalls due to apparent apathy from both the cast and writers. Bebop avoids this by wrapping every dangling plot thread up in just one season of television. And after the final jaw-dropping episode it's quite clear that the series is most definitely over.

Never before or since have I seen a series of such astonishing variety, intelligence and style. Ten out of ten.