The story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.
Navy S.E.A.L. sniper Chris Kyle's (Bradley Cooper's) pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Pearl Harbor is a classic tale of romance set during a war that complicates everything. It all starts when childhood friends Rafe and Danny become Army Air Corps pilots and meet Evelyn, a Navy nurse. Rafe falls head over heels and he and Evelyn and Rafe hook up. Then Rafe volunteers to go fight in Britain, and Evelyn and Danny get transferred to Pearl Harbor. While Rafe is off fighting, suddenly one morning comes the air raid we now know as "Pearl Harbor."Written by
Scenes of Tennessee farmland were shot in Somis, California, 54 miles from Los Angeles. For the look of Tennessee, corn was planted five months prior to shooting. See more »
When Rafe comes to England he gets a damaged Spitfire to counter the Luftwaffe. If you ignore the fact that he should at least make some flying hours in a Spit before going into combat, no one had to fly a shot-up Spit during the Battle of Britain, since Spitfire production could quite well keep up with the war losses. It was lack of fighter pilots that almost caused Britain's defeat. See more »
Red, do you think they are making us do this because we are young and dumb?
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Unusually, Pearl Harbor started without showing the opening Touchstone and Bruckheimer logos; they only showed up after the end credits. See more »
Other alterations made in the Japanese versions include:
the December 7th date was changed to December 8th due to the time zone difference in Japan;
the words "Jap Suckers" changed to "Japs";
Colonel James Doolittle's (Alec Baldwin) line "Kill as many of those bastards as possible" was changed to "I myself would choose a tasty target";
Evelyn's (Kate Beckinsale) line "Before Doolittle's raid, Americans knew nothing but defeat; after it, nothing but victory" was changed to "After it, there was hope of victory";
a scene showing Japanese women in traditional kimonos and carrying parasols during Doolittle's Raid on Tokyo was omitted.
Right up front, let me confess to having been a World War II nut since early childhood. You may thus understand the depths of my disappointment with this movie. I believe Roger Ebert said it best: "The Japanese attack an American love triangle." I find it inexcusable that such a pivotal event in history, and one as well documented from just about all angles, can come in for such slipshod treatment at the hands of moviemakers, but I guess I shouldn't be too surprised. Just let down.
If the producers can expend so much time, money and effort to make everything look big and splashy, why not go the extra 1/4 mile and make it look *right*? Spielberg managed it for Saving Private Ryan, even with the somewhat far-fetched plot device. Flaws abound, and have been pointed out in great depth elsewhere (the most glaring are the guided missile frigates in the harbor, the off-scale appearance of the Oklahoma as she capsizes (with an impossible torpedo hole in her starboard side, which was shielded by the Maryland *and* Ford Island), no mention of Nevada's dramatic attempt to get underway and subsequent beaching, etc).
To my legion of fellow critics I say, "read your history before trashing the 'token black' Dorie Miller subplot". Ship's Cook 3rd Miller did, in fact, give aid and comfort to West Virginia's dying captain, did, in fact, man a machine gun for 15 minutes (during which he believed he shot down a Japanese plane) and was, in fact, the first black recipient of the Navy Cross (awarded in early 1942 by Admiral Nimitz). Aside from the mistaken coffee-service bit (he was actually bagging laundry at the time) that was one of the things the producers got *right*.
Focusing on the Dolittle Raid, I saw only lost opportunities - how Dolittle convinced his superiors to let him fly, the fates of the crews (who flew solo rather than in formation and were scattered all over the place afterwards) and Dolittle's dejection at the "failed" raid and his subsequent accolades... all of this was jettisoned as the producers got out the Ritz crackers and Velveeta and went for the cheesy, contrived, convenient resolution of the *important* part of the movie, that cockamamie love triangle.
In sum, so many opportunities, so little follow through. Rent "In Harm's Way" for schmaltz, and "Tora Tora Tora" for the attack itself. Better yet, snag a copy of "At Dawn We Slept", and read up on the historical tapestry that this movie never really touched.
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