Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
The young executive of a publicity agency Henry Creedlow is a man that has repressed morbid thoughts and is walked over by most of his acquaintances: his wife is cheating on him with his boss and stealing his investments with help from his best friend; his housemaid is frequently stealing from his house and insulting him in Spanish; even his annoying poodle does not respect him. While in his daily morning routine listening to a talk show on the radio, he hears a man committing suicide live because he had been felt miserable and disrespected for a long time, and Henry feels impressed with the tragic story. The next morning, he wakes up to find his face covered by a white mask, changing his personality and letting him seek revenge against those who have humiliated him.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A man awakes one morning without his face - and he decides to take revenge on all people who betrayed him in a way.
This, in short, is the story of George A. Romero's first feature film since 1992's "The Dark Half", a decent if not really convincing adaption of Stephen King's story of the same title. And even though "Bruiser" is not a very spectacular or action- and goreloaded picture, it undoubtedly is Romero's finest film since his third zombie-epic "Day of the Dead" back in 1985.
It's a unique movie, rather quiet and sensibly developed: something You've see far too rarely in the last few years. The acting is also first rate, above all Jason Flemyng as the lead character. Peter Stormare is once again delicious, this time as the eccentric, sex-mad publisher of the "Bruiser"-magazine (you never really get to know what the magazine is all about, but it is obviously kind of a lifestyle magazine) and therefore Flemyng's character's boss. Stormare's enthusiastic acting is everything but annoying.
There is also some well placed humor in the picture, which has been present in most of Romero's films, only that this time it's more obvious than in his earlier pictures. The humor doesn't destroy the melancholy touch, though, that makes all of Romero's pictures so unique.
An audience who expects to see another "Dawn of the Dead" or "Creepshow" surely will be disappointed at first - but who ever said that "Bruiser" is a pure horror movie? It is more similar to "Martin" or even (in a metaphoric way) "The Crazies". One thing that's out of question is that Romero proves himself to be a real auteur, and it's always good to see new films from him - especially after an eight-year hiatus!
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