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A.I. Artificial Intelligence (2001)

Artificial Intelligence: AI (original title)
PG-13 | | Adventure, Drama, Sci-Fi | 29 June 2001 (USA)
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2:12 | Trailer

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Airs Thu. Jan. 31, 8:00 PM on TMC

ON DISC
A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.

Director:

Steven Spielberg

Writers:

Brian Aldiss (short story "Supertoys Last All Summer Long"), Ian Watson (screen story) | 1 more credit »
Popularity
1,302 ( 538)
Nominated for 2 Oscars. Another 17 wins & 68 nominations. See more awards »

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Cast

Cast overview, first billed only:
Haley Joel Osment ... David
Frances O'Connor ... Monica Swinton
Sam Robards ... Henry Swinton
Jake Thomas ... Martin Swinton
Jude Law ... Gigolo Joe
William Hurt ... Prof. Hobby
Ken Leung ... Syatyoo-Sama
Clark Gregg ... Supernerd
Kevin Sussman ... Supernerd
Tom Gallop ... Supernerd
Eugene Osment ... Supernerd
April Grace ... Female Colleague
Matt Winston ... Executive
Sabrina Grdevich ... Sheila
Theo Greenly Theo Greenly ... Todd
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Storyline

In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching the point of creating realistic robots (called mechas) to serve them. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

boy | future | fairy | robot | fairy tale | See All (126) »

Taglines:

This summer, discover the next step in evolution. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content and violent images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA | UK

Language:

English

Release Date:

29 June 2001 (USA) See more »

Also Known As:

A.I.: Artificial Intelligence See more »

Filming Locations:

Guerneville, California, USA See more »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$29,352,630, 1 July 2001, Wide Release

Gross USA:

$78,616,689, 23 September 2001

Cumulative Worldwide Gross:

$235,927,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS-ES | Dolby Digital EX | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The hotel, into which Gigolo Joe walks, when we are first introduced to the character, has the Hebrew words "Ahava Kshera" in neon (Kosher Love). See more »

Goofs

When Dr. Hobby removes the CPU from mecha Sheila's forehead, the module is about as big as a walnut. But when he holds the module up to show to his colleagues, it is a cube about the size of a billiard ball. See more »

Quotes

[first lines]
Narrator: [narrating, with ocean waves crashing together] Those were the years after the ice caps had melted... because of the greenhouse gases, and the oceans had risen drown so many cities... along all the shorelines of the world. Amsterdam, Venice, New York - Forever lost. Millions of people were displaced. Climates became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived... when most governments in the developed world... ...
See more »

Crazy Credits

Sentient Machine Therapist ... JEANINE SALLA Assistant to Mr. Chan ... LAIA SALLA Toe-Bell Ringer ... KATE NEI Cybertronics - Room 93056 ... CLAUDE GILBERT Sentient Machine Security ... DIANE FLETCHER Covert Information Retrieval ... RED KING These are characters from the AI alternate-reality game that was connected to the release of the film, and was played over the Internet. Several of the TV and cinema trailers for AI contained clues for game players, including the name Jeanine Salla listed in the credits at the end of the first trailer. This was the way into the game. The room number given in Claude Gilbert's credit is a further clue to game players. See more »

Alternate Versions

For the U.S. theatrical release, the Warner Bros. logo appeared before the Dreamworks logo at the beginning of the film, and the poster credits said, "Warner Bros. and Dreamworks Pictures present." Since the U.S. version's home video/DVD rights are owned by Dreamworks, the Dreamworks logo at the beginning of the movie appears before the Warner Bros. logo, and the back of the box's cover art says, "Dreamworks Pictures and Warner Bros. present." See more »

Connections

Featured in Special Visual Effects and Animation: ILM (2002) See more »

Soundtracks

Le Loup, la Biche et le Chevalier
Music by Henri Salvador
Lyrics by Maurice Pon
See more »

Frequently Asked Questions

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User Reviews

Steve's game
24 October 2004 | by fabiogauchoSee all my reviews

Artificial intelligence can be clearly divided in tow parts, quite different in mood and theme. The first hour imitates Staley Kubrick, who had worked on the project before his death. It is as if Spielberg is playing with Kubrick's fans: he films that part of the film exactly like the dead master would do it, reproducing very well that very disturbing mood from "full metal Jacket"'s first half, "A Clockwork Orange" and "Paths of Glory".

It feels like a game. Spielberg knows that people could not this film and not ask: "I wonder how would Kubrick have done it", or start comparing the two to Spielberg's disadvantage. So he answers the question showing which film Kubrick would do in the 1st hour (the exact moment when the mom leaves the boy-robot), which proves his control over the medium (something no one ever questioned) and then moving on to HIS film, with the human content and theme he thinks he can provide (something you can easily question his ability).

Now he has to prove he can do a better job. So he extends and overfilms to the point of exhaustion his "vision", putting as much visual and emotion you could expect. Overall, it felt kind of boring and empty.

So it's like "I gave you Kubrick and more! By the way, wasn't my vision more interesting?". No, it wasn't, Steve. You proved you are a talented director enough to bring to life a dead cinema master in a way we can almost believe he directed from the dead. But you proved, once more, that as an artist you can only be obvious and dull.


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