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Trailer
1:52 | Trailer

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Several women enter a science fiction author's life over the course of a few years, after the author has lost the woman he considers his one true love.

Director:

Kar-Wai Wong (as Kar Wai Wong)

Writer:

Kar-Wai Wong (screenplay) (as Kar Wai Wong)
35 wins & 77 nominations. See more awards »

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Cast

Credited cast:
Tony Chiu-Wai Leung ... Chow Mo-wan (as Tony Leung)
Li Gong ... Su Li-zhen
Faye Wong ... Wang Jing-wen / Android
Takuya Kimura ... Tak / Wang Jing-wen's Boyfriend
Ziyi Zhang ... Bai Ling
Carina Lau ... Lulu / Mimi / Android
Chen Chang ... Mimi's Boyfriend
Jie Dong ... Wang Jie-wen
Maggie Cheung ... Su Li-zhen
Thongchai McIntyre Thongchai McIntyre ... Bird (as Bird Thongchai McIntyre)
Wang Sum Wang Sum ... Mr. Wang / Train Captain
Ping Lam Siu Ping Lam Siu ... Ah Ping
Rest of cast listed alphabetically:
Siu-Lung Ching ... Dabao
Wah Hong ... Party girl
Xinyu Jiang ... Robot girl
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Storyline

The story evolves around the main character, Zhou Mo Wan who writes a novel about a mysterious train that leaves for a place called 2046 every once in a while. Everyone who boards that train has the same intention - which is to recapture their lost memories. It is said that in 2046, nothing ever changed. Nobody knows for sure if it was true, because nobody who went there had ever come back- except for one. He had been there but He chose to leave. He wanted to change. Written by chicken noodles

Plot Summary | Add Synopsis

Taglines:

Are you still in the mood for love? See more »

Genres:

Drama | Romance | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Hong Kong | China | France | Italy | Germany

Language:

Cantonese | Japanese | Mandarin

Release Date:

29 September 2004 (Hong Kong) See more »

Also Known As:

2046 - Der ultimative Liebesfilm See more »

Filming Locations:

China See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$323,007 (Hong Kong), 1 October 2004, Limited Release

Opening Weekend USA:

$113,074, 7 August 2005, Limited Release

Gross USA:

$261,481, 11 December 2005
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The director declined the invitation to screen the film in the New York Film Festival. See more »

Quotes

Chow Mo Wan: Feelings can creep up on you unawares.
See more »

Alternate Versions

Chinese version is edited for sexuality in the Ziyi Zhang/Tony Leung love scene. See more »

Connections

Referenced in Afstiros katallilo (2008) See more »

Soundtracks

Polonaise
Composed and Arranged by Shigeru Umebayashi
(p) & © Block 2 Music Company Ltd.
See more »

Frequently Asked Questions

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User Reviews

 
Cumulative force of these moments cannot be described
19 January 2006 | by joesnuffSee all my reviews

I love story with impact, new ideas and rich characters. I love exploring the mechanics of the thing. There are few films like 2046 proposing radical new ways of vicariously experiencing time and place. Easily misunderstood or confusing, it can be. Understanding and completing the 'story' in these kinds of films doesn't occur in the films themselves. We complete them in the realm of reflection, experience, and assumptions made in how to reflect, collect, categorize, and morph them with our own life stories. Sometimes these films are just a call to empathize with the filmmaker.

Wong Kar Kai is a filmmaker who calls for a personal empathy. He works to capture all the unique dynamics of romance, and how they bend our sense of time and space.

He turns his camera every which angle to try and find new vocabulary for telling a story. Well, he doesn't tell stories, he asks whether stories are found in relationships. We get pieces of stories on top of hidden stories, our focus shifts from "story" to emergent feelings out of the glimpses.

This is sophisticated, and scary when unprepared for the exotic nature. We want the familiar, but are given delicately meandering puzzles, opaque hints at beginnings, middles, and endings. Just like we don't always know at what point our own stories are unfolding. But we know the emotional states as they are lived.

Since 2046 lacks many standard cadences, it is a struggle to follow the statement through the movements. These are not even vignettes, these are a seamless series of leaps that push and pull like the emotions of day to day life. They have an indecisive flux we hope is asymptotically reaching a conclusion, but they just keep coalescing and spilling over into the imagined future from where no one has yet returned. Once we think we have moved beyond the past do we then realize that we create an unknown future by attempting to reconstruct the past in the present.

And so the main character is a writer of 'fiction' (this very movie) who through the process of embedding real life circumstances into his science fiction he also tries to determine if there is a destination this is all heading. 2046 is a place you visit to relive unchanging memories so that you will never change. Alternately, 2046 is also a time existent only within a science fiction novel when people will access substitute lovers without the haunts of what broke them in the past. So they think.

He has already been damaged by the loss of an impossible standard that cannot be met by another (see In the Mood for Love first!). So in his novel, lovers become characters. Feelings become fictional ornamentations in the future. In the present, he cannot connect with the women who come and go. In the fiction, the lack of connection is simply a matter of technological limitations.

Think about what happens in the aftermath of a failed relationship or a missed opportunity. We may grieve, but also sometimes we obsessively construct a future fantasy based on what should have happened if things had gone right; if only some vital detail didn't change things how it did. We inhabit that imagined future and interact with our counterpart ghost, making plans and times and places accordingly. We might use this process as a shield and a warning. Or it sabotages, taking on a life of its own as a mental blueprint, directing the actual present and perceptions of new companions.

Lush, poetic cinematography fills each second of this film to great mood inducing effects. In 1960's Hong Kong, where the bulk of the events take place, the dynamics of romantic encounters hide in unassuming corners of that society, only brought to light by looking at the normal world in very abnormal ways. One almost gets the impression that set pieces and abstract designations were literally dreamed up. The camera often cramps our frame of vision. Various off-center closeups which in a sense shut out the outside world, but paradoxically bring it all in to bear. There are many places where the camera does not seem to have a good shot of a character or an event, we the viewers were just unlucky to miss the opportunity of getting the full revelation of something.

And it frustrates; we want to know everything but get very little by way of visual exposition. We are forced to work on the clues, the voice overs, the symmetrical accidents in different centuries and different countries. This is not analogous to idly putting together a complex puzzle set, this is reconstructing a mystery while at the same time being on the verge of shedding tears at the quiet understanding that it isn't a mystery, it's life with a character who mediates between reality and fantasy to deal with it all. I know the kinds of things this film is about, but I've never looked at them from this stance before. As is often the case, the artist (here the writer/filmmaker) is just the one who experiences what the rest of us experience and talks about its secrets rather than conceals them.

See this film if you want to know how it's possible to visually show the invisible, inner turbulence and romantic visions that tend to hide from the outside world. On the whole, 2046 weaves in the present a future fiction invaded by the past, bred by the throes of confronting the human faces of opportunities that appear, disappear, reappear and fade and collapse into each other.


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