Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger. He's to replace John Gissing; Gissing's gotten ... See full summary »
Set right after World War II, a naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth... See full summary »
The annual British Hairdressing Championship comes to Keighley, a town where Phil and son Brian run a barbershop, and where Phil's ex-wife Shelly and her lover Sandra run a beauty salon, yet Phil and Shelly haven't talked in the ten years since she bolted. Shelley's just found out her cancer is terminal, and Ray Roberts, the reigning underhanded hairdressing champion, blows into town taunting Phil for retreating from competitive styling into barbering. Roberts also brings his daughter, Christina, who remembers Brian from when she was a little kid (as does he her). Everything's set: Brian decides to enter the competition with his mom and Sandra. Will Phil join in? Ray wants to win at any costs. Will Christina go along?Written by
Later this same year, David Bradley and Alan Rickman will co-star in the first Harry Potter film, "Harry Potter and the Sorcerer's Stone" as "Mr. Filch" and "Professor Snape" respectively. See more »
Throughout the movie, we are told that Shelley and Sandra left Phil ten years ago, when Phil was in line for his third straight national championship. The current competition is Hair 2000 (and is sometimes called the championships of the year 2000, to confirm that isn't "just" a name), yet when his honors are announced near the end of the movie, we are told he was national champion in 1981 and 1982. For this to be true, Shelley and Sandra must have walked out on him seventeen years ago. See more »
One of the nastiest double crowns I've ever had the misfortune to tackle.
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Alan Rickman is wonderful in this movie. In many of his more well-known films, he is required to be obvious with his brooding nature. This film is much more subtle, and Rickman pulls off an incredibly believable character and demonstrates a range that we rarely see from him. Rachael Leigh Cook is highly underused. She needed to have been given more prodding from the director to bring her true acting talents out (her hair is also atrocious for a movie supposedly about "hair"). Cook often has great chemistry with actors, but her relationship with Hartnett falls a bit flat. The other actors (especially Natasha Richardson) do extremely well. The plot is wonderfully simple. The "competition" arch is played out very well without feeling as though we have seen this before. The romantic triangle is great, and the relationship between Sandra and Shelley (Grffiths and Richardson) is sweet. The homosexual element is understated and is never politicized. The comedy is subtle and occasionally hilarious, but the drama is the true reason to see this film.
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