The Log

How many times do I still have to read the words "French cinema at its worst" ? Reviewers please try to be a bit more imaginative.

And if you cannot, wouldn't it be wiser to avoid commenting such movies ? At least leave this one alone which has strongly developed characters and features Sabine Azema and Charlotte Gainsbourg, actresses who are in actual fact able to make their women look real like few others. And shows Emmanuelle Beart, who most of the times is a bonus 'per se' and here appears in two quick back-to-back scenes which can only be described as jaw-dropping. Anyway: advise to whoever still despises the <<French>> after watching this film : please compare it with dysfunctional family features like 'Parenthood' 'Home For The Holidays' 'The Myth Of Fingerprints' 'The House of Yes' 'One True Thing' 'The Weekend' 'Sebastian Cole' 'No Looking Back' etc (find out any which one you missed if you care). And good luck ....

Saw "La Buche" last night. It's somewhat dull but pleasant and well-acted throughout. I enjoy the French tendency to feature artists and philosophically inclined persons as cinematic main characters (while we Americans get cops and the pugilistically inclined), and "La Buche" rewards on that level: the characters are lovely, intelligent, articulate and well dressed.

Underneath the surface trappings, however, the movie doesn't have much to say. It's a tribute to emotional cowardice dolled up as a celebration of familial devotion - all in the guise of a Christmas movie. Which would be genuinely funny if "La Buche" were at all cynical about its own motives. As far as I could tell, it isn't. I gather that we're supposed to buy bad decision-making redeemed by absurd coincidence as evidence that true love will out in the end.

P.S. I am beyond tired of the suggestion in French films that infidelity is the one true badge of masculine identity. Didn't this idea become boring in, oh, like, 1965?

Interesting look at individual family members as they approach the dreaded Christmas Holidays. Nothing is as it seems and everyone's issues have deep roots. Well lit and filmed the film is a little long and slow in places but worth a look.

I saw this film and The Royal Tenenbaums in the course of the same week. The themes were very similar (a coincidence?), but La Buche was more interesting, more believable and more enjoyable. I cared about the characters. Gene Hackman's brood were cardboard cutouts. And La Buche didn't need the Hollywood formulaic 500 milliseconds of exposed breast to earn its adult status.

Every year, American TV serves up so-called holiday fare, meaning made-for-TV movies about Brady Bunch-like families getting together for Christmas. Most are so forgettable that they get thrown out faster than used Christmas wrapping.

The French are in general much better at dealing on film with human relationships and the complexities of modern families and so I guess it should come as no surprise that they put together a far more engrossing story of a Christmas gathering.

Daniele Thompson's "La Buche" delves into the complex relationships in one family which is just days away form Christmas when the stepfather dies. The film opens humorously at his funeral, which for some is a time of mourning and for others,just a great, big inconvenience.

There are three intriguing daughters in this family and all of them lead complex lives, propelled along by the same thing that propels most French films -- love. The oldest daughter, played by Sabine Azema, is a 42-year old singer in a Russian cabaret who has been having an affair for 12 years with a married man. The middle sister, Emmanuelle Beart, is the woman who appears to have everything: beauty, wealth, husband, kids and the kind of controlling personality that keeps them all dancing to her tune. The youngest sister, Charlotte Gainsberg, is a vaguely rebellious young, motorcycle riding loner who has no man of her own, but would like one. Then there's their real father, Claude Riche, a guy who apparently during his active years bedded more women than Magic Johnson.

American holiday movies usually include some family members in crisis and a lot of family members sharing recriminations about past transgressions. "La Buche" serves up its share of both, but with a French twist. Everyone in this family has their share of sins to confess and forgiveness to seek and in some cases, even monumental decisions to face. But they all seem to do it not only with style and grace, but with a lot of humor thrown in for good measure. If this holiday film has a message, it seems to be that you can make the best of any situation if you try hard enough.

The acting and directing here are first rate and the characters, especially the three daughters, are so intriguing you almost don't want the film to end. You want to find out how all three daughters handle the changes coming to their lives.

That's probably the best thing you can say about any film and hats off to director Thompson for making it so with "La Buche."