A wood worker is trying hard to make his company survive every day... But a fire in his workshop leaves him in a lot of trouble when he realizes his insurer was swindling him - he does NOT ...
See full summary »
In the underbelly of the Parisian criminal world, the Police are frustrated by a gang committing a series of violent robberies. Leo Vrinks and Denis Klein are two cops seeking promotion, ... See full summary »
Gus (played by Guillaume Canet) suffers from narcolepsy. He falls asleep all the time and has dreams about supermen from comics (Van Damme would play one of these supermen, a short & secret appearance).
Eddie, Dov, and Yvan are back, still working in Paris' Sentier textile district, This time they're confronting the high-stakes world of large distribution after striking a deal with Eurodiscount, a European hypermarket chain.
A chronicle of a group of friends in rural France in 1918. Garris and Riton live in the marshlands along the banks of the Loire river. Riton is afflicted with a bad-tempered wife and three ... See full summary »
The Comte de Gonzague schemes against his cousin, the Duc de Nevers, even though he is the Duke's heir and will inherit his estates. The Count has kept secret the existence of the Duke's ... See full summary »
Philippe de Broca
Three half-brothers are reunited at their mother's funeral. After being told of their inheritance they quickly spend the money, only to find out that they will not receive it after all. The... See full summary »
Criminal mastermind Fantômas, a man of a thousand faces, is unhappy with Fandor, a journalist who's written a fictive interview of him. He kidnaps Fandor, threatens to kill him, but first ... See full summary »
Louis de Funès,
Holidaymakers arriving in a Club Med camp on the Ivory Coast are determined to forget their everyday problems and emotional disappointments. Games, competitions, outings, bathing and sunburn accompany a continual succession of casual affairs.
A wood worker is trying hard to make his company survive every day... But a fire in his workshop leaves him in a lot of trouble when he realizes his insurer was swindling him - he does NOT have any insurance... That's when a crazy idea grows in his mind - he will need all his friends and their different talents to make it work...Written by
Like its predecessor "Fred" (1997), "ma Petite Entreprise" is in the same league: the world of workers in popular neighborhoods and the tricks the characters elaborate to get out of their distress. Pierre Jolivet finds again the same actor and one of his favorites Vincent Lindon for a role quite familiar to the one he held in the 1997 movie. Like "Fred", Ivan has to manage himself to get out of a thorny situation. The main difference lies in the fact that in "Fred", he was practically all alone but here, he receives a little help from his friends. Lindon acts the work alcoholic boss of a joinery and lives on a wild pace which made him estranged from his wife. But one day his world collapses for the workshop is burnt down. To avoid the definitive closure, he'll have to break the law.
When the film reached the streets, the catchphrase was: "in life, trouble make people closer". It was a well-appropriated one to grab the interest and to disregard any Cartesian logic in the relationships between the characters who one by one rally to Ivan. However, some of them were about to take advantage of the knotty stance Ivan was in. At first Sami (Roschdy Zem), the one who lives with Ivan's former wife, then Maxime (François Berléand) and at last Charles (Albert Dray). Jolivet found a supple dosage between the gritty depiction of the popular neighborhood, the dramatic situation which can worsen if Ivan can't quickly solve it and the droll solutions adopted with a dash of suspense (the break-in in the insurance center) and some unexpected turns in the story. The formula paid off well for "ma Petite Entreprise" drew many more viewers in the theaters than "Fred".
Jolivet's work garnered several nominations at the César ceremony in 2000, notably in the Secondary Roles category and François Berléand was justifiably the winner. Here, Jolivet has no cause to be jealous of his English filmmakers peers in the domain of social cinema.
2 of 2 people found this review helpful.
Was this review helpful to you?
| Report this