Ginger Snaps

The outcast teenager sisters Brigitte (Emily Perkins) and Ginger Fitzgerald (Katharine Isabelle) are very connected and have a weird pact of death between them. Their hobby is photography, more specifically morbid pictures of violent death scenes. On the full moon night the sixteen year-old Ginger has her first period, she is bitten by a wild animal, indeed a werewolf, but she omits the attack to her mother Pamela (Mimi Rogers). A couple of days later, Ginger changes her behavior; her body is covered by excessive hair; and she has the need of attacking dogs and other animals. While her mother believes that the menstruation is causing her changes of attitude, Brigitte seeks the cure with the local drug dealer Sam (Kris Lemche).

"Ginger Snaps" is one of the best movies of werewolf ever. This is the third time that I watch this movie, now on DVD, and I like the approach of the dramatic story, using the usual change of behavior of a teenager after her first period in parallel to a werewolf attack. The weird Fitzgerald sisters are brilliantly performed by Emily Perkins and Katharine Isabelle, and the conclusion is excellent. My vote is seven.

Title (Brazil): "Possuída" ("Possessed")

My previous review of 24 May 2005:

Gore, Weird and Original Horror Movie

Brigitte (Emily Perkins) and Ginger Fitzgerald (Katharine Isabelle) are very connected sisters and very weird and morbid persons, having a great attraction with death. On the night Ginger gets her first period, she is attacked by a furred beast and her behavior and mood change. Her mother and friends believe that this changing is caused by her hormones, but her sister believes that she was bitten by a werewolf. Sooner Brigitte sees that she is right and tries to save her sister from the terrible fate.

The first time I saw "Ginger Snaps", I did not like it, since I found the story too bloody and with an open end. Today I have just watched it for the second time because I bought the DVD with the sequence, and now I found "Ginger Snaps" a gore, weird and original horror movie. I changed completely my first opinion, and I really liked this movie. It is a very violent werewolf film, having two excellent lead actresses with great performances, Emily Perkins and Katharine Isabelle. Now I hope that the sequence does not spoil such a good story. My vote is seven.

Title (Brazil): "Possuída" ("Possessed")

Sisters Ginger and Brigitte are walking through the park when Ginger is attacked by some sort of wolf that leaves her badly cut before they get away. With Ginger on her period already she is upset about the various changes happening to her body but it is apparent to Brigitte that the changes occurring to Ginger are more sinister and she tries to find a solution.

Despite the fact that the title is far too clever and silly for the film it announces this is actually a very strong teen horror. In the midst of the usual teen slasher movies, this film stands out as one that doesn't fall into the usual clichés (either accidentally or knowingly) and just concentrates on being a good film. The script cleverly uses the changes of teenage years and the changes of the werewolf as one and it works very well on the whole. Ginger's change is gradual and well done by the script.

The film is gory but not in a bloodlust type way where teens are bumped off in gory ways for audience amusement. Here the film builds gradually with blood a constant thing but not in a sensationalist way. When the film comes to a close, it does well to not be diminishing by the sight of the wolf itself - often the hint of the creature is better than the actual effects, both work here. The cast are good on the whole. Of course the support cast do play the usual teen stereotypes but, unlike other of this genre, they are not just fodder. The best playing comes from Isabelle and Perkins- the former especially giving a really good performance that makes the script alive.

Overall this was a very pleasant surprise - a good teen horror movie. It may lack the clichés of it's peers, and maybe that is why it is not as well known as the others, but it is a great little film and, if you need any further evidence of it's calibre - the ending is one of taste and restraint, words not often associated with teenage slasher movies.

Plenty of films equate the bloody lusts of vampires with sexual desire, usually without much subtlety or imagination; but John Fawcett's film 'Ginger Snaps' makes a rather more explicit link: one between lycanthropy and puberty. In fact, so lovingly does the film recreate the world of two Gothic sisters (including their hopeless mother, who wants them to be normal and happy in a way that doesn't help anyone) that becoming a werewolf seems like nothing more than a natural extension to the growing pains of a disturbed teenager. It's the believable psychology that makes this film genuinely scary, even though it's almost completely devoid of special effects until the very end; and even in the final showdown, one can still half-believe in the kinship of girl and beast. Overall, it's proof you can make a high class horror film set not in some fantastic landscape, but in the bland anonymity of suburban Canada.

Ginger Snaps is one of the best revisionist horror movies I've seen - if you liked "Ravenous" you'll enjoy this. Contrary to a previous reviewer's remarks, the film is not heartlessly "cool" - no chilly hipster would be capable of the compassion this film shows to its outcast, unbeautiful characters. Like all the best horror films, the true subject of fear is very real - the earthquake effect of sexual maturity on teenagers, girls in this case, and the disruption of sibling relationships by differing levels of sexual maturity. It also speaks to a genuine post-Columbine concern. When youth culture admires alienation, morbid affectation and misanthropy, how can genuine psychosis be distinguished from acting out? The highest praise goes to Isabelle and Perkins, whose characterisation is superb. Mimi Rogers as the mother who raises denial to an art form is also excellent.

On the downside, the last twenty percent of the film declines into cliched stalk-and-slash, with typically idiotic behaviour by previously intelligent characters, and an embarrassingly polymeric monster. The humanoid werewolf makeup is so derivative of "Buffy" I'm surprised Optic Nerve didn't sue. Moreover, for its revisionist pretensions, the films underlying attitudes to sexuality are disappointingly regressive, as are the final fates to which it consigns its characters.

On balance though, highly recommended.

Somehow I had missed catching up with this almost "underground" flick although I had it mentally logged as one to check-out. (sorry, check 'oat'....it's Canadian) Addressed that problem yesterday when I picked up the dvd from a $5.95 bargain bin!

I'll keep it simple. This is, if not the best horror film I have ever seen...pretty damn close to it! It is the ONLY horror film that has ever "touched me" emotionally and that it achieved this is quite extraordinary. As a werewolf film it is simply outstanding - blows digitised crap like UNDERWORLD out of the water. The very budgetary constraints of the film HELPED ultimately - the director having to rely on old-fashioned "acting" to hold up viewer credibility. Although Isabelle is the "Ginger" of the title and she is soo damned good, it is Perkins as Brigitte that commands respect for her effort.

The Fitzgerald sisters with their fascination for 'staged horror' find themselves very much on the outer in the school social hierarchy. It is not until Ginger is bitten by a werewolf, in what is undoubtedly the most graphic and realistic lycanthropic savaging ever filmed...that they are forced even further into social isolation. What neither the sisters OR the film ever lose sight of however is their sisterly bond, itself consummated by a blood-pact at childhood.

There is nothing predictable or unoriginal about this film, from the script to the camera angles, right up to the heartfelt tragedy itself of Ginger's condition. And that is why this film leaves most other horror films in its wake - it is multi-dimensional with strong characterizations. Mimi Rogers even, in a smallish part as the girls' mother is spot on hitting the exact right note as a frustrated mother and increasingly unfulfilled wife.

The film weaves brilliantly the coming-of-age pains with the physical transformation brought on by the lycanthropic condition. Marvellous imagery of menstrual blood at critical moments.

Mention should also be made of Kris Lemche's role as Sam, the school druggie and the only friend they have, not that Ginger is interested. Somewhat Christian Slaterish in mannerisms, he contributes strongly to the film's success.

Superbly handled conclusion with both excellent werewolf effects and the saddest of photographic recollections....nothing one would expect to see in formula horror flicks devoted to this subject matter. The very last scene is both moving and inspired.

Obviously I am not alone in this perception. The film carries one of the highest rankings for its genre. I would personally nudge it up to a 7.5 but thats neither here nor there.

Why it received such limited theatrical release worldwide I cannot begin to imagine, but the production teams behind SCREAM, I KNOW WHAT YOU DID...., CABIN FEVER, TCM, DOG SOLDIERS and myriad other clones, should take a long hard look at this and find out HOW to make (and stage) a horror film with pretty much no money!

I would have considered that $19.95 for the dvd was money well spent!