Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running ... See full summary »
A middle-aged crime boss smugly reflects back from 1999, narrating the brutality which made him triumphant - and feared. As an unnamed young hood in Swinging 60's London, he aped his mod boss Freddie Mays, and seemed to do anything for him. But his narration exposes all-consuming envy: of Freddie's supremacy, and especially his tall bird. The baby shark develops his viciousness and backstabbing, scheming to be Gangster No. 1.Written by
Freddie Mays is shown living in a groovy flat in the Lauderdale Tower of The Barbican in London in the late 60s; however the building was not completed until 1974. See more »
[song "The Good Life" begins as scene opens at boxing match; crowd noises]
What? With Scotland Yard breathing down me neck? Fuck off. Do me a favor!
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Written by Norman Sleek
Published by Blackhill Music Ltd
Used by kind permission of Warner/Chappell Music Ltd
Performed by Albertos y Los Trios Paranoias
Courtesy of Demon Records Ltd
Licensed by kind permission from Bruce Mitchell Productions See more »
The story begins in 1999, with an old gangster performed by Malcolm McDowell being advised that Freddie Mays (David Thewlis) would leave jail after thirty years in prison. His mood changes and he recalls 1968, when he was a young punk (performed by Paul Bettany), and he joined Freddie Mays' gang, his envy of his mob boss and his betrayal. The whole story of these two characters is presented slowly, alternating violent and luxury places and action. I liked this movie a lot. I would dare to say that it mixes 'Goodfellas', 'Casino', 'Pulp Fiction' and 'Reservoir Dogs'. Paul Bettany has a great performance as a psycho-killer: differently of those sadists in Hollywood movies that make grimaces, the simple look and expression of Paul Bettany is enough to terrify the viewer. The direction is great, and there is one specific scene that I appreciated very much. When Freddie Mays invites Paul Bettany's character to have a drink in a nightclub: Freddie is giving his overcoat to the attendant and the image of Paul Bettany is reflected in the glass of the door exactly over Freddie. The selection of Paul Bettany for this role is perfect, but why not ages him through make-up? Malcolm McDowell looks totally different from Paul Bettany! My vote is eight.
Title (Brazil): "Os Gangsters" ("The Gangsters")
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