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Credited cast: | |||
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André Baruch | ... | Narrator |
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Norman Brokenshire | ... | Narrator |
Enrico Caruso | ... | Himself (archive footage) | |
Charles Chaplin | ... | Himself (archive footage) | |
William F. Cody | ... | Himself (archive footage) | |
Calvin Coolidge | ... | Himself (archive footage) | |
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Milton Cross | ... | Narrator |
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Eugene V. Debs | ... | Himself (archive footage) |
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Dan Donaldson | ... | Narrator |
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Gertrude Ederle | ... | Herself (archive footage) |
Dwight D. Eisenhower | ... | Himself (archive footage) | |
Mohandas K. Gandhi | ... | Himself (archive footage) (as Mahatma Gandhi) | |
Tomás Garrigue Masaryk | ... | Himself (archive footage) (as Thomas Masaryk) | |
Lou Gehrig | ... | Himself (archive footage) | |
Arthur Godfrey | ... | Narrator |
Documentary about the major events of the first fifty years of the Twentieth Century.
It might seem pointless to describe this film, other that to state the obvious. It is a compilation of major American and world news events from 1900 to 1950. Obviously with a run time of only 72 minutes, the film mostly includes only the tips of the biggest icebergs.
However, what I believe are useful to comment on are 1) the spin of the accompanying narration, and 2) some stories that seem major now but were omitted.
The film is so pro-American and patriotic, one might consider it propaganda. The film begins with America the Beautiful and ends with the Star Spangled Banner. The voiceover says Americans were `aided by God,' would `make the world safe for democracy,' and led `the worldwide fight against tyranny.' Also `Our country springs from the principle of righteousness,' `Others look to us for leadership,' and `Americans are firm in their right as God helps us to see the right.' Communists are referred to everywhere as `Reds' (`the exact opposite of freedom'). Japanese are referred to as `Japs' (`Americans fought Jap-by-Jap' in the Pacific WW2 campaign). The film is condescending toward women in a couple of places (`Women are, after all, still women').
There is no mention of the Holocaust (!) or U.S. internment camps for Japanese-Americans. There is virtually no coverage of civil rights, other than Jesse Owens and Joe Lewis as `breakthrough athletes,' and (appropriately) disparaging remarks about a Ku Klux Klan march in Washington.
Nevertheless, I don't regard these `faults' as reasons to avoid the film. They may actually say a lot about the attitude of many Americans (or at least the media) circa 1950.
This film is a worthwhile history lesson squeezed into a short space.
I reviewed this movie as part of a project at the Library of Congress. I've named the project FIFTY: 50 Notable Films Forgotten Within 50 Years. As best I can determine, this film, like the other forty-nine I've identified, has not been on video, telecast, or distributed in the U.S. since its original release. In my opinion, it is worthy of being made available again.