Fifty Years Before Your Eyes (1950)

Documentary about the major events of the first fifty years of the Twentieth Century.

Director:

Robert Youngson (as Robert G. Youngson)

Writers:

Alfred Butterfield, Thomas H. Wolf

Stars:

André Baruch, Norman Brokenshire, Enrico Caruso

Cast

Credited cast:
André Baruch	...	Narrator
Norman Brokenshire	...	Narrator
Enrico Caruso	...	Himself (archive footage)
Charles Chaplin	...	Himself (archive footage)
William F. Cody	...	Himself (archive footage)
Calvin Coolidge	...	Himself (archive footage)
Milton Cross	...	Narrator
Eugene V. Debs	...	Himself (archive footage)
Dan Donaldson	...	Narrator
Gertrude Ederle	...	Herself (archive footage)
Dwight D. Eisenhower	...	Himself (archive footage)
Mohandas K. Gandhi	...	Himself (archive footage) (as Mahatma Gandhi)
Tomás Garrigue Masaryk	...	Himself (archive footage) (as Thomas Masaryk)
Lou Gehrig	...	Himself (archive footage)
Arthur Godfrey	...	Narrator

Storyline

Documentary about the major events of the first fifty years of the Twentieth Century.

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Plot Keywords:

nuremberg trial | reference to mahatma gandhi | pilot | u.s. constitution | trial | 

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Genres:

Documentary | History | Sport

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Details

Country:

USA

Language:

English

Release Date:

27 June 1950 (USA)

Also Known As:

Myrskyisä 1900-luku

Company Credits

Technical Specs

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

According to a 7 May 1950 New York Times article, the film took three years to compile.

User Reviews

History through 1950 American eyes

It might seem pointless to describe this film, other that to state the obvious. It is a compilation of major American and world news events from 1900 to 1950. Obviously with a run time of only 72 minutes, the film mostly includes only the tips of the biggest icebergs.

However, what I believe are useful to comment on are 1) the spin of the accompanying narration, and 2) some stories that seem major now but were omitted.

The film is so pro-American and patriotic, one might consider it propaganda. The film begins with America the Beautiful and ends with the Star Spangled Banner. The voiceover says Americans were `aided by God,' would `make the world safe for democracy,' and led `the worldwide fight against tyranny.' Also `Our country springs from the principle of righteousness,' `Others look to us for leadership,' and `Americans are firm in their right as God helps us to see the right.' Communists are referred to everywhere as `Reds' (`the exact opposite of freedom'). Japanese are referred to as `Japs' (`Americans fought Jap-by-Jap' in the Pacific WW2 campaign). The film is condescending toward women in a couple of places (`Women are, after all, still women').

There is no mention of the Holocaust (!) or U.S. internment camps for Japanese-Americans. There is virtually no coverage of civil rights, other than Jesse Owens and Joe Lewis as `breakthrough athletes,' and (appropriately) disparaging remarks about a Ku Klux Klan march in Washington.

Nevertheless, I don't regard these `faults' as reasons to avoid the film. They may actually say a lot about the attitude of many Americans (or at least the media) circa 1950.

This film is a worthwhile history lesson squeezed into a short space.

I reviewed this movie as part of a project at the Library of Congress. I've named the project FIFTY: 50 Notable Films Forgotten Within 50 Years. As best I can determine, this film, like the other forty-nine I've identified, has not been on video, telecast, or distributed in the U.S. since its original release. In my opinion, it is worthy of being made available again.