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An F.B.I. Agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.

Director:

Tarsem Singh
Reviews
Popularity
1,223 ( 470)
Nominated for 1 Oscar. Another 6 wins & 23 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jennifer Lopez ... Catherine Deane
Colton James ... Edward Baines
Dylan Baker ... Henry West
Marianne Jean-Baptiste ... Dr. Miriam Kent
Gerry Becker ... Dr. Barry Cooperman
Musetta Vander ... Ella Baines
Patrick Bauchau ... Lucien Baines
Vincent D'Onofrio ... Carl Stargher
Catherine Sutherland ... Anne Marie Vicksey
Vince Vaughn ... Peter Novak
James Gammon ... Teddy Lee
Jake Weber ... Gordon Ramsey
Dean Norris ... Cole
Tara Subkoff ... Julia Hickson
Lauri Johnson ... Mrs. Hickson
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Storyline

Catharine Deane is a psychotherapist who is part of a revolutionary new treatment which allows her mind to literally enter the mind of her patients. Her experience in this method takes an unexpected turn when an F.B.I. Agent comes to ask for a desperate favor. They had just tracked down a notorious serial killer, Carl Stargher, whose method of operation is to abduct women one at a time and place them in a secret area where they are kept for about forty hours until they are slowly drowned. Unfortunately, the killer has fallen into an irreversible coma which means he cannot confess where he has taken his latest victim before she dies. Now, Catherine Deane must race against time to explore the twisted mind of the killer to get the information she needs, but Stargher's damaged personality poses dangers that threaten to overwhelm her. Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Plot Synopsis

Taglines:

This Summer... Enter The Mind Of A Killer See more »


Motion Picture Rating (MPAA)

Rated R for bizarre violence and sexual images, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA | Germany

Language:

English

Release Date:

18 August 2000 (USA) See more »

Also Known As:

Ćelija See more »

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Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend USA:

$17,515,050, 20 August 2000, Wide Release

Gross USA:

$61,334,059

Cumulative Worldwide Gross:

$104,155,843
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39:1
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Did You Know?

Trivia

(At around forty-two minutes) The scene when Catherine is chasing Carl through a stone hallway, right before she enters the room with the horse, is based on a painting by Swiss surrealist H.R. Giger called "Schacht". See more »

Goofs

(at around 1h 22 mins) After Peter revives from entering into the subconscious, he takes the cloth off his face and places it at his left side. In the next shot, the cloth is moved to right under his chin. See more »

Quotes

[first lines]
Catharine Deane: Thank you for the horse.
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Alternate Versions

The Australian DVD from Roadshow contains the extended European version, with Stargher masturbating in suspension over the bleached female victim. This release was granted an R rating by the OFLC, whereas the shorter version was rated MA. See more »

Connections

Referenced in Fallout 4 (2015) See more »

Soundtracks

YOU CAN FIND THE FEELING
(RADIO EDIT)
Written by Bachir Attar, Talvin Singh and Brad Somatik
Performed by Master Musicians of Jajouka featuring Bachir Attar
Courtesy of Point Music, Decca Music Group
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Frequently Asked Questions

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User Reviews

 
Daring to be different.
24 August 2000 | by BenzzoSee all my reviews

"The Cell" is an exotic masterpiece, a dizzying trip into not only the vast mind of a serial killer, but also into one of a very talented director. This is conclusive evidence of what can be achieved if human beings unleash their uninhibited imaginations. This is boldness at work, pushing aside thoughts to fall into formulas and cliches and creating something truly magnificent. This is the best movie of the year to date.

I've read numerous complaints about this film, anywhere from all style and no substance to poorly cast characters and bad acting. To negatively criticize this film is to miss the point. This movie may be a landmark, a tradition where future movies will hopefully follow. "The Cell" has just opened the door to another world of imagination. So can we slam the door in its face and tell it and its director Tarsem Singh that we don't want any more? Personally, I would more than welcome another movie by Tarsem, and would love to see someone try to challenge him.

We've all heard talk about going inside the mind of a serial killer, and yes, I do agree that the "genre" is a bit overworked. The 90s were full of movies trying to depict what makes serial killers tick; some of them worked, but most failed. But "The Cell" does not blaze down the same trail, we are given a new twist, we are physically transported into the mind and presented with nothing less than a fascinating journey of the most mysterious subject matter ever studied.

I like how the movie does not bog us down with too much scientific jargon trying to explain how Jennifer Lopez actually gets to enter the brain of another. Instead, she just lies down on a laboratory table and is wrapped with what looks like really long Twizzlers and jaunted into another entity. "The Cell" wants to let you "see" what it's all about and not "how" it's all about, and I guess that's what some people don't like. True, I do like explanations with my movies, but when a movie ventures onto new ground you must let it do what it desires and simply take it in.

I noticed how the film was very dark when it showed reality, maybe to contrast the bright visuals when inside the brain of another. Nonetheless, the set design was simply astonishing. I wouldn't be surprised if this film took home a few Oscars in cinematography, best costumes, best director and the like. If it were up to me it'd at least get nominated for best picture.

I've noticed that I've kind of been repeating myself. Not because there's nothing else to say, but because I can't stress enough how fantastic I thought "The Cell" was. If you walk into the movie with a very open mind and to have it taken over with wonders and an eye-popping feast then you are assured a good time. I guess this film was just a little too much for some people, writing it off as "weird" or "crazy". I am very much into psychology and the imagination of the human mind, so it was right down my alley. Leaving the theater, I heard one audience member say "Whoever made that movie sure did a lot of good drugs." If so, I want what he was smoking.

**** (out of 4)


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