6.3/10
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682 user 233 critic

The Cell (2000)

Trailer
2:29 | Trailer

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An F.B.I. Agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.

Director:

Tarsem Singh
Reviews
Popularity
2,182 ( 213)
Nominated for 1 Oscar. Another 6 wins & 23 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jennifer Lopez ... Catherine Deane
Colton James ... Edward Baines
Dylan Baker ... Henry West
Marianne Jean-Baptiste ... Dr. Miriam Kent
Gerry Becker ... Dr. Barry Cooperman
Musetta Vander ... Ella Baines
Patrick Bauchau ... Lucien Baines
Vincent D'Onofrio ... Carl Stargher
Catherine Sutherland ... Anne Marie Vicksey
Vince Vaughn ... Peter Novak
James Gammon ... Teddy Lee
Jake Weber ... Gordon Ramsey
Dean Norris ... Cole
Tara Subkoff ... Julia Hickson
Lauri Johnson ... Mrs. Hickson
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Storyline

Catharine Deane is a psychotherapist who is part of a revolutionary new treatment which allows her mind to literally enter the mind of her patients. Her experience in this method takes an unexpected turn when an F.B.I. Agent comes to ask for a desperate favor. They had just tracked down a notorious serial killer, Carl Stargher, whose method of operation is to abduct women one at a time and place them in a secret area where they are kept for about forty hours until they are slowly drowned. Unfortunately, the killer has fallen into an irreversible coma which means he cannot confess where he has taken his latest victim before she dies. Now, Catherine Deane must race against time to explore the twisted mind of the killer to get the information she needs, but Stargher's damaged personality poses dangers that threaten to overwhelm her. Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Plot Synopsis

Taglines:

His Mind Is Her Prison. See more »


Motion Picture Rating (MPAA)

Rated R for bizarre violence and sexual images, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA | Germany

Language:

English

Release Date:

18 August 2000 (USA) See more »

Also Known As:

Ćelija See more »

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Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend USA:

$17,515,050, 20 August 2000, Wide Release

Gross USA:

$61,334,059

Cumulative Worldwide Gross:

$104,155,843
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39:1
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Did You Know?

Trivia

Jennifer Lopez wanted the costumes to be comfortable to wear. Costume designer Eiko Ishioka advised Lopez to feel uncomfortable because her character, Catherine, is "tortured". See more »

Goofs

(at around 14 mins) When Catherine is at home, the TV in the background is playing Fantastic Planet. Scenes from the movie are shown out of order and the soundtrack does not match what is being shown. See more »

Quotes

[first lines]
Catharine Deane: Thank you for the horse.
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Alternate Versions

One scene, where Vincent D'Onofrio hangs on his piercings, masturbating over the dead body of a woman, was not included in the US theatrical or DVD release, but can be seen in the European one. However, the US blu-ray happens to contain the director's cut of the film, despite not being labeled as such on the packaging and the R-rating listed on the back. The runtime is listed as 109 (the length of the director's cut) which marks the first time the film has been released uncut in the US. See more »

Connections

References The City of Lost Children (1995) See more »

Soundtracks

O SCIORE CCHIU FELICE
Written by Raiz (as G. Della Volpe), Stefano Facchielli (as S. Facchielli), Giovanni Mantice (as G. Mantice), Pier Paolo Polcari and Gennaro Tesone (as G. Tesone)
Performed by Almamegretta (as Alma Me Gretta)
Courtesy of BMG Ricordi S.p.A.
By Arrangement with The RCA Records Label of BMG Entertainment
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Frequently Asked Questions

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User Reviews

 
Every once in a while a film comes along that stands apart from all others made in years. The Matrix did it last year, and The Cell has done it in 2000.
8 September 2000 | by Anonymous_MaxineSee all my reviews

The last film that provided a vivid and disturbing look at what insanity is probably like was In Dreams. In that movie, you didn't see insanity, you were THERE. Now The Cell comes along with an updated and much more disturbing portrayal of the inside of the mind of a psychotic killer. The opening scene takes you into the seemingly innocent mind of a comatose little boy, and the things that Catherine Deane (Jennifer Lopez) sees are first fascinating and then terrifying. The things that she later sees in the mind of Vincent Stargher (Vincent D'Onofrio) are amazingly imaginative and fascinating, most of this stuff has never been seen in film before.

The story of The Cell is not exactly something that is really groundbreaking. In fact, it is basically the same as the story in The Silence of the Lambs. You have a killer in custody and these people have to enter his mind to find a female victim who is currently in danger of losing her life. The only real difference between the foundation of the plots is that in The Silence of the Lambs, you have to enter the mind of a killer to find a different killer as well as his current victim, while in The Cell, you have to enter the mind of a killer to find his own victim. However, despite the unfortunately weak story, The Cell completely revolutionizes the genre of the psychological thriller. None that have ever been made even come close to it.

Also, the film had good direction and was extremely well acted. Vince Vaughn delivers another of his characteristically excellent performances (he was even good as Norman Bates in the pathetic 1998 re-make of Psycho), and even Jennifer Lopez puts forth the second good effort of her career (the other being the great Out of Sight). Nothing can be said of the cinematography in The Cell to give it sufficient credit, it was imaginative and fascinatingly done and is unparalleled by anything ever seen in cinematic history. The Cell is an incredibly well-made film, and it deserves to be recognized.


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