An F.B.I. Agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
The Cusp is a serial killer who kills his victims and then brings them back to life - over and over, until they beg to die. Psychic, Maya is an investigator who gained her powers after ... See full summary »
Catharine Deane is a psychotherapist who is part of a revolutionary new treatment which allows her mind to literally enter the mind of her patients. Her experience in this method takes an unexpected turn when an F.B.I. Agent comes to ask for a desperate favor. They had just tracked down a notorious serial killer, Carl Stargher, whose method of operation is to abduct women one at a time and place them in a secret area where they are kept for about forty hours until they are slowly drowned. Unfortunately, the killer has fallen into an irreversible coma which means he cannot confess where he has taken his latest victim before she dies. Now, Catherine Deane must race against time to explore the twisted mind of the killer to get the information she needs, but Stargher's damaged personality poses dangers that threaten to overwhelm her.Written by
Kenneth Chisholm <firstname.lastname@example.org>
Vince Vaughn and Vincent D'Onofrio played brothers in The Break-Up (2006). See more »
Any goofs occurring in the "subconscious" world which the characters enter, do not have to be consistent or conform to realistic physics, as the subconscious is arbitrary, and can create whatever rules it wants. See more »
Two scenes featuring the girl in the water tank: one where she beats on the glass in the dark, screaming randomly, and another where the water comes on as she tries to eat, she counts to thirty, and screams when the water doesn't shut off when she reaches thirty (this sceen was, in part, in a version of the trailer)
A scene where, shortly after arriving at the institute, Peter and his partner talk by a statue (completely improvised, according to the director's commentary)
A previously unseen session with the child in the desert; the session is interuppted by outside influence, and we see a 'green man' speak for the technicians and place the fabric over Lopez's eyes as she passes out (immediately before the scene where one of the technicians says 'We have a situation')
An extended and modified version of the conversation between Lopez and D'Onofrio at the bathtub (where Carl is taking apart his first victim)
A modified version of the initial strike on Carl's house, involving a single FBI agent running across the street, over the fence, and onto Carl's lawn; he sees Carl, unconsious on the floor in his kitchen, via mirror (followed immediately by the initial infiltration)
An incredibly long and slow pan across the ceiling of Carl's room after the long shot of the schoolyard at the very end of the movie
The European version of the 'hanging' sequence, complete with Carl finishing the preparation of the body
Probably the most underrated serial killer movie of all, past and to come, times.
Never seen anything like that. Not only the visual, by the way astonishing, but also the concept. If you are a serious movie lover, specially this genra, it is a must to see.
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