Teenage siblings Nenette and Boni were raised apart as a result of their parents' divorce. Their mother, who doted on her son Boni, has died. He works for an interesting couple as a pizza ... See full summary »
A young French woman returns to the vast silence of West Africa to contemplate her childhood days in a colonial outpost in Cameroon. Her strongest memories are of the family's houseboy, ... See full summary »
Isaach De Bankolé,
Beautiful Daiga has emigrated from Lithuania to Paris and is looking for a place to stay and work. Theo is a struggling musician, and his brother Camille - a transvestite dancer. One of ... See full summary »
This film focuses on ex-Foreign Legion officer, Galoup, as he recalls his once glorious life, leading troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, but the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind. He feels compelled to stop him from coming to the attention of the commandant who he admires, but who ignores him. Ultimately, his jealousy leads to the destruction of both Sentain and himself.Written by
L.H. Wong <firstname.lastname@example.org>
Most powerful ending since Tarkovsky's "Andrei Rublev"
"French Foreign Legion of the mind" is close, but I think a better epitome would be a meditation on wasted potential. If there is a theme that runs through Claire Denis' movies, it is civilization and its discontents, and this is her best work on the subject yet. The imagery alludes to Antonioni's "The Passenger" and rightly so: both films treat the annihilation of identity, although Denis' vision is ultimately darker. The last scene is the most haunting since the ending to Tarkovsky's "Andrei Rublev."
Sure, the voice-over is awkward, but Calvin Klein is absolutely the wrong referent here. Far apter would be Leni Riefenstahl.
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