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Memento (2000)

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A man with short-term memory loss attempts to track down his wife's murderer.

Director:

Christopher Nolan

Writers:

Christopher Nolan (screenplay), Jonathan Nolan (short story "Memento Mori")
Popularity
685 ( 20)

Director's Trademarks: The Films of Christopher Nolan

IMDb dives into the distinct trademarks of Christopher Nolan's directorial style to illustrate what The Dark Knight, Inception, and Memento have in common.

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Top Rated Movies #51 | Nominated for 2 Oscars. Another 56 wins & 55 nominations. See more awards »

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Cast

Complete credited cast:
Guy Pearce ... Leonard
Carrie-Anne Moss ... Natalie
Joe Pantoliano ... Teddy
Mark Boone Junior ... Burt
Russ Fega ... Waiter
Jorja Fox ... Leonard's Wife
Stephen Tobolowsky ... Sammy Jankis
Harriet Sansom Harris ... Mrs. Jankis
Thomas Lennon ... Doctor
Callum Keith Rennie ... Dodd
Kimberly Campbell ... Blonde
Marianne Muellerleile ... Tattooist
Larry Holden ... Jimmy
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Storyline

Memento chronicles two separate stories of Leonard, an ex-insurance investigator who can no longer build new memories, as he attempts to find the murderer of his wife, which is the last thing he remembers. One story line moves forward in time while the other tells the story backwards revealing more each time. Written by Scion013

Plot Summary | Plot Synopsis

Taglines:

Some memories are best forgotten

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and some drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Memento | Official Facebook

Country:

USA

Language:

English

Release Date:

25 May 2001 (USA) See more »

Also Known As:

Memento See more »

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Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$235,488, 18 March 2001, Limited Release

Gross USA:

$25,544,867

Cumulative Worldwide Gross:

$39,723,096
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

When we first see Leonard's map of the area, we can see two streets that have commonality with Blue Velvet (1986). There is a "Booth Street", the primary antagonist in Blue Velvet (1986) is Frank Booth. A second street, worthy of note, is "Lincoln Street", which Jeffrey is explicitly told to avoid, and where the apartment of Dorothy Vallens resides in Blue Velvet (1986). These are the only roads that are not nominally numerical, for example "Seventh Street". See more »

Goofs

After fleeing Dodd, while driving to the hotel, Leonard is reading the description that Natalie wrote down for him. You hear him 'thinking' what she's written down. He 'says' that Dodd is staying at the Mountcrest Inn, yet it is written as the Monterest Inn. See more »

Quotes

[first lines]
Leonard Shelby: [voiceover] So where are you? You're in some motel room. You just - you just wake up and you're in - in a motel room. There's the key. It feels like maybe it's just the first time you've been there, but perhaps you've been there for a week, three months. It's - it's kind of hard to say. I don't - I don't know. It's just an anonymous room.
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Alternate Versions

On the 2 Disc, Limited Edition R1 DVD, a "chronological" version can be found by going through the questionnaires on the second disc. When the question comes on screen concerning the lady with a flat tire, answer the 4-part question in reverse order (#3, then #4, #1, and #2) and the "chronological" version will play. The rewind and fast-forward features do not work while watching this version. If you put the pictures in the "correct" order, you get to read the short story the movie is based on. See more »

Connections

References American Psycho (2000) See more »

Soundtracks

Motherlode
Written by Chuck Hamshaw & Mark Schmidt
Published by JRM Music (ASCAP)
Courtesy of Megatrax Production Music, Inc. (1994)
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Frequently Asked Questions

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User Reviews

 
Best Movie of 2001 (Thus Far)
15 May 2001 | by cjhollandSee all my reviews

Incredible, riveting and powerful. What else could I say? This movie has all of the qualities of classic film noir as well as the magnitude of an original, unique concept that has been tried and tired before but works here.

Guy Pearce has been underrated for years (just think back now to Priscilla and can you believe this is the same guy) and finally might get the recognition here that was at least well-deserved of him back for LA Confidential. Powerful perfomances, well developed story with suspensful buildup of what our main character pieces together little by little makes this a must see.

Easily in my top 100 of all time.


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