A young F.B.I. cadet (Jodie Foster) must receive the help of an incarcerated and manipulative cannibal killer (Sir Anthony Hopkins) to help catch another serial killer (Ted Levine), a madman who skins his victims.
Lawrence A. Bonney
Memento chronicles two separate stories of Leonard, an ex-insurance investigator who can no longer build new memories, as he attempts to find the murderer of his wife, which is the last thing he remembers. One story line moves forward in time while the other tells the story backwards revealing more each time.Written by
When we first see Leonard's map of the area, we can see two streets that have commonality with Blue Velvet (1986). There is a "Booth Street", the primary antagonist in Blue Velvet (1986) is Frank Booth. A second street, worthy of note, is "Lincoln Street", which Jeffrey is explicitly told to avoid, and where the apartment of Dorothy Vallens resides in Blue Velvet (1986). These are the only roads that are not nominally numerical, for example "Seventh Street". See more »
After fleeing Dodd, while driving to the hotel, Leonard is reading the description that Natalie wrote down for him. You hear him 'thinking' what she's written down. He 'says' that Dodd is staying at the Mountcrest Inn, yet it is written as the Monterest Inn. See more »
So where are you? You're in some motel room. You just - you just wake up and you're in - in a motel room. There's the key. It feels like maybe it's just the first time you've been there, but perhaps you've been there for a week, three months. It's - it's kind of hard to say. I don't - I don't know. It's just an anonymous room.
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On the 2 Disc, Limited Edition R1 DVD, a "chronological" version can be found by going through the questionnaires on the second disc. When the question comes on screen concerning the lady with a flat tire, answer the 4-part question in reverse order (#3, then #4, #1, and #2) and the "chronological" version will play. The rewind and fast-forward features do not work while watching this version. If you put the pictures in the "correct" order, you get to read the short story the movie is based on. See more »
Incredible, riveting and powerful. What else could I say? This movie has all of the qualities of classic film noir as well as the magnitude of an original, unique concept that has been tried and tired before but works here.
Guy Pearce has been underrated for years (just think back now to Priscilla and can you believe this is the same guy) and finally might get the recognition here that was at least well-deserved of him back for LA Confidential. Powerful perfomances, well developed story with suspensful buildup of what our main character pieces together little by little makes this a must see.
Easily in my top 100 of all time.
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