Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Memento chronicles two separate stories of Leonard, an ex-insurance investigator who can no longer build new memories, as he attempts to find the murderer of his wife, which is the last thing he remembers. One story line moves forward in time while the other tells the story backwards revealing more each time.Written by
After Brad Pitt expressed interest in signing up to play Leonard but ultimately had to pass on the project due to other commitments, Christopher Nolan did not consider any other "A-list actors" because he realized that having a talented but lesser-known lead actor would allow for the film's budget to be more evenly distributed. That process led to Nolan nearly casting Aaron Eckhart in the role, and eventually giving the part to Guy Pearce. Nolan would go on to work with Eckhart a few years later in The Dark Knight. See more »
Leonard is able to remember that he has a problem with his memory because he has conditioned himself to look at his "Remember Sammy Jankis" tattoo. Similarly he has conditioned himself to check his pockets for Polaroids to remind himself of other essential day-to-day facts. Alternatively, it could be because Leonard has Korsakov's syndrome, sometimes caused by acute trauma. In some cases the patient knows that they have the disorder. Arguments have been presented both for and against this but, in the end, it's the reality that the movie presents us with and so, for 113 minutes at least, it's true. See more »
So where are you? You're in some motel room. You just - you just wake up and you're in - in a motel room. There's the key. It feels like maybe it's just the first time you've been there, but perhaps you've been there for a week, three months. It's - it's kind of hard to say. I don't - I don't know. It's just an anonymous room.
See more »
Incredible, riveting and powerful. What else could I say? This movie has all of the qualities of classic film noir as well as the magnitude of an original, unique concept that has been tried and tired before but works here.
Guy Pearce has been underrated for years (just think back now to Priscilla and can you believe this is the same guy) and finally might get the recognition here that was at least well-deserved of him back for LA Confidential. Powerful perfomances, well developed story with suspensful buildup of what our main character pieces together little by little makes this a must see.
Easily in my top 100 of all time.
190 of 274 people found this review helpful.
Was this review helpful to you?
| Report this