| Cast overview, first billed only: | |||
| Martin Lawrence | ... | Malcolm Turner | |
| Nia Long | ... | Sherry Pierce | |
| Paul Giamatti | ... | John | |
| Jascha Washington | ... | Trent Pierce | |
| Terrence Howard | ... | Lester Vesco (as Terrence Dashon Howard) | |
| Anthony Anderson | ... | Nolan | |
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Ella Mitchell | ... | Hattie Mae Pierce (Big Momma) |
| Carl Wright | ... | Ben Rawley | |
| Phyllis Applegate | ... | Sadie | |
| Starletta DuPois | ... | Miss Patterson | |
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Jessie Mae Holmes | ... | Miss Other Patterson |
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Nicole Prescott | ... | Lena |
| Octavia Spencer | ... | Twila (as Octavia L. Spencer) | |
| Tichina Arnold | ... | Ritha | |
| Cedric the Entertainer | ... | Reverend | |
FBI agent Malcolm Turner is known best for being a brilliant, master of disguise. Malcolm's latest assignment sends him to small-town Georgia, where he's assigned to trap a brutal bank robber (and a recent prison escapee) who they suspect will be coming down to visit his ex-girlfriend Sherry and her son. Malcolm sets up a stakeout across from the home of a larger-than-life southern matriarch known as Big Momma, who's about to be visited by Sherry. It's a simple plan, but there's one big problem: Unbeknownst to Sherry, Big Momma has unexpectedly left town. So Malcolm, decides to impersonate the cantankerous Southern granny. Using a few tricks of disguise, he completely transforms himself into Big Momma, even taking on the corpulent septuagenarian's everyday routine-from cooking soul food to delivering babies to "testifying" at the local church. In the mean time, Malcolm starts falling for Sherry, who may or may not be hiding some stolen cash. Now, Malcolm/Big Momma must somehow find a ... Written by Anonymous
When you have a movie with a title like "Big Momma's House", you shouldn't expect high art. I certainly wasn't, but sometimes that's okay - sometimes you just want an excuse to laugh.
Still, I have to admit that I was somewhat disappointed with what they did here. The fault lies with the screenplay. For starters, it is not exactly original. While I wouldn't call this movie a blatant rip-off of "Stakeout", in several regards it's too close to that earlier movie for its own good. Speaking of familiar, another problem I had was that too many of the gags involving Lawrence as the cross-dressing FBI agent I had more or less seen in other movies before. Plus, the movie devotes far too much time to this than fleshing out the story - if what's here could be considered a story.
On the positive side, the movie is filled with energy, both in front of and behind the camera. There's enough energy that some viewers not wanting to think while watching a movie might find the enterprise enjoyable enough. If that sounds like you, you'll probably find this movie adequate. If you want more nutrition in your cinematic diet, look elsewhere.