It's a hotel with walls in the corridor covered with striped paper, crossed like bars of a dingy prison, its rooms as large as cells. The Select Hotel is a dead end place for those who do ... See full summary »
Unemployed for three years, Gerard has landed a job in Indonesia. To start off on the right foot with his "team leader", Gerard invites him to dinner. Considering his wife's lack of ... See full summary »
Set in 1913, 1936 and 2001. When he returns to the casino and sea-side resort of his early adolescence, Louis, a seventy-eight-year-old man encounters Olivia, a nineteen-year-old girl madly... See full summary »
When Hanah re-emerges in the life of her pre-pubescent daughter, she comes with a strange, yet attractive proposition: she needs her own girl to pose for her in ways that would later take by surprise the Parisian art world of the 1970s.
Hector, who met Truquette at the Louvre on July 14, has only one concern since then: seduce this girl. The best way to do so is by taking her to the sea. Pator, his friend, is accompanying him along with Truquette's girlfriend, Charlotte.
Contrary to the other opinion, this was probably the best movie I saw at the IFF that year. I've seen a few American movies over the years dealing with the struggles of single people looking for love, but this was a fresh European view. It was like looking at a live-action version of the Carpenters' "Goodbye to Love". The color composition is really quite good, the director filling the screen with muted and stark fluorescent lighting, as the protagonist lives half her life in empty metro stations and phone booths. Her dates are viewed through alienating extreme closeups, denoting the hopeless conversations with men who are looking for "someone else".
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