Catelyn and Renly come to an agreement and he agrees to join forces with Robb but witchcraft intervenes forcing her to flee with Brienne. As Stannis' fleet approaches Renly's camp, Petyr Baelish has advice for Margaery and her brother. At King's Landing, Cersei assures Tyrion that siege preparations are well under way and he learns the specifics from Lancel. In the Iron Islands Theon sets sail though has some difficulty gaining his crew's respect. Arya makes a deal with Jaqen H'ghar who promises her three lives in return for her having saved his. North of the Wall the Watchmen arrive at their camp. In Qarth, Daxos has gifts for Daenarys and has a proposition for her: access to his untold riches - and the Iron Throne - if he marries her. In Winterfell, Osha sees something in Bran's dreams.Written by
According to the novel, Qhorin's plan was not to kill Mance Rayder, but to spy on his army and discover what was the magical power he was looking for at the Frostfangs (the legendary Horn of Winter). See more »
Jaqen H'ghar tells Arya that the "Red God" is owed three deaths. Some believe this to be a goof, as Jaqen does not worship R'hllor but the Many-Faced God. However, George R.R. Martin has clarified that as Arya rescued Rorge, Biter and Jaqen from death by fire, it is the Red God (just one of the faces of the Many-Faced God) to whom three deaths are owed. See more »
I remember reading an old sailor's proverb. Piss on wildfire and your cock burns off.
Oh, I have not conducted this experiment. It could well be true.
See more »
Came to 'Game of Thrones' fairly late in the game and due to being so busy the binge-watching was gradual. Have found myself truly loving the show, very quickly becoming one of my favourites. It totally lives up to the hype and not only does it do the brilliant source material justice (a rarity in television) it is on its own merits one of the finest, most addictive and consistently compelling shows in recent years and quality-wise it puts a lot of films in recent years to shame.
"The Ghost of Harrenhal" is another excellent episode, if not quite one of the best. My only complaint is, like other critics criticising the scene, the treatment of Renly. It just seemed so out of nowhere and rushed, judging from the aftermath too what should have been shocking came over as indifferent.
Everything else is brilliant though. Standout scenes were two. One was the exchange between Arya and Tywin, which is very powerfully written and acted with one of the cast's most experienced and charismatic actors in Charles Dance being matched by a younger and less prolific one in Maisie Williams. The other is Brienne and Catelyn's pledge, with superlatively powerhouse performances from Gwendoline Christie and Michelle Fairley.
Visually, "The Ghost of Harrenhal" looks amazing. The scenery is throughout spectacular, the sets are hugely atmospheric and beautiful on the eyes with a real meticulous eye for detail and the costumes suit the characters to a tee. The make-up is beautifully done. The visual effects are some of the best of any television programme and are not overused or abused, the scale, the detail and how they actually have character and soul are better than those in a lot of the big-budget blockbusters. A standout is the dragon, which actually looks real. As well the cinematography and editing, which are cinematic quality as well.
One cannot talk about "The Ghost of Harrenhal" without mentioning the thematically, orchestrally and atmospherically multi-layered music scoring and the unforgettable main theme. Again, worthy of a high-budget fantasy/action/drama film.
It is hard not to be bowled over by the quality of the writing, outstanding isn't a strong enough adjective to describe how good the writing is once again. It always has a natural flow, is layered and thought-provoking and demonstrates a wide range of emotions such as suspenseful tension, poignant pathos and witty humour. The story is paced beautifully, structured with such nuance and attention to coherence which is truly remarkable for so much going on in narrative and characterisation, a high emotional level and is done with intelligence, passion and sensitivity.
Charles Dance, Maisie Williams, Gwendoline Christie and Michelle Fairley in particular are just superb here, they consistently were in 'Game of Thrones' but all four give some of their best work.
In summary, excellent. 9/10 Bethany Cox
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