6.5/10
1,966
19 user 40 critic

Fast Food Fast Women (2000)

How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. ... See full summary »

Director:

Amos Kollek

Writer:

Amos Kollek

On Disc

at Amazon

1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anna Levine ... Bella (as Anna Thomson)
Jamie Harris ... Bruno
Louise Lasser ... Emily
Robert Modica Robert Modica ... Paul
Lonette McKee ... Sherry-Lynn
Victor Argo ... Seymour
Angelica Page ... Vitka (as Angelica Torn)
Austin Pendleton ... George
Sandrine Holt ... Giselle
Valerie Geffner Valerie Geffner ... Wanda
Mark Margolis ... Graham
Judith Roberts ... Bella's Mother
Lynn Cohen ... Jesse
Salem Ludwig Salem Ludwig ... Leo
Irma St. Paule Irma St. Paule ... Mary-Beth (as Irma St. Paul)
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Storyline

How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with one of Paul's older pals and a Jungian stripper - sort out how to initiate a relationship these days, what to do when someone you like disappoints you, and when to tell the truth. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

There are 18 million people in New York City, but only one like Bella.

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for sexuality/nudity and language | See all certifications »
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Details

Official Sites:

Lot47 Films [United States]

Country:

USA | France | Italy

Language:

English

Release Date:

6 September 2000 (France) See more »

Also Known As:

Fast Food, Fast Women See more »

Filming Locations:

New York, USA

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Box Office

Opening Weekend USA:

$17,131, 20 May 2001, Limited Release

Gross USA:

$186,586, 2 September 2001
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Soundtracks

Nothing Stands Still
Written by John Carbonara
Performed by John Carbonara
See more »

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User Reviews

 
I really felt great after I saw this somewhat flawed film...
16 November 2000 | by toclementSee all my reviews

This is the third film I've seen pairing director Amos Kollek and actor Anna Thomson. The other two, "Sue" and "Fiona", were both great and about the most depressing things you could watch ("Sue", in fact, is a masterpiece). So I was curious to see where Kollek was going to go with this, a more light-hearted, and even comic romance. Of course, we aren't talking "Sleepless in Seattle" here, thank goodness. I have to say that while I was watching the movie, there were times whenI shook my head and said to myself, "this is bad" or "that's ridiculous". In fact, this film had many more flaws and awkward scenes than Kollek's earlier work. But at the same time, after it was all over and I was walking home, I really felt like I had seen something special.

I can't explain why exactly, but one thing that was surprising is that Anna Thomson's character, while the driving force in the previous films, was comparatively dull and uninspiring and underdeveloped here. Her love interest, even moreso. But this film was buoyed by a secondary romance plot involving two 60-somethings fumbling their ways into some sort of relationship. Louise Lasser Louise Lasser, hehe, making a comeback of sorts in recent years ("Happiness"), was just wonderful. Her partner (was it Robert Modicka?) was also off-the-map charming. If I have one complaint, there wasn't enough time in the film devoted to this burgeoning romance. There is one scene involving the two that is about as tender as anything i've ever seen on the big screen. It's nice to see good love stories about middle-aged people and above and they show that often the actors, perhaps due to more experience acting, pull it off much better than most of the young and the beautiful.

In sum, another winner for Kollek and Thomson, and I just wonder when, if ever, Thomson will become a star in the states (she is quite popular in France). I kind of hope she doesn't, but that's out of my own selfishness to see her in more of these kinds of films as opposed to the inevitable lure to make the big money in the bad movies. I also hope Louise Lasser continues to get more parts because she rocks. (8 out of 10)


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