Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Set in a future where a failed climate-change experiment kills all life on the planet except for a lucky few who boarded the Snowpiercer, a train that travels around the globe, where a class system emerges.
In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Jackie Earle Haley,
London, 2027. In this dystopian world, humans have been incapable of reproducing for eighteen years for an unknown reason, meaning the imminent extinction of the species. Britain is the one remaining civilized society on the planet, which has resulted in people wanting to immigrate there. As such, it has become a police state in order to handle the immigrants, who are placed into refugee camps. Lowly government bureaucrat Theo Faron, once an activist, is approached by the Fishes, deemed a terrorist group, led by his ex-wife Julian Taylor, who he has not seen in close to twenty years, their marriage which disintegrated following the death of their infant son Dylan during the 2008 flu pandemic. Although the Fishes did use terrorist means in their on-going revolution against the state in the fight for immigrant rights, Julian vows that they now garner support solely by speaking to the people. What she wants is for Theo to use his connections to get transit papers for a young immigrant ...Written by
At the beginning of the film, as Theo leaves the coffee shop, a tall pointed building can be seen in the background. This building is called The Shard, and its construction began in 2009, three years after the movie was filmed. It was digitally added to the movie, which took place in 2027, sixteen years after The Shard was due to be completed. See more »
When Nigel yells at Alex to take his pills, Alex takes the first pill and drinks some water. The next camera shot of Alex shows him taking a second pill but his glass has more water in it than before. Also, in these same three camera swaps Nigel's pill box moves closer to his wine glass, which now has less wine than the previous shot, even though Nigel's position doesn't change. See more »
Day 1,000 of the Siege of Seattle.
The Muslim community demands an end to the Army's occupation of mosques.
The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
See more »
At the very end, one can read "Shanti, Shanti, Shanti" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shanti" means "peace" in Sanskrit. See more »
Words and Music by Joe South
Performed by Deep Purple
Published by Sony/ATV Music Publishing
Licensed courtesy of HEC Entertprises, Ltd.
By special arrangement with Spark Marketing Entertainment, LLC
Licensed courtesy of EMI Records Ltd See more »
I went to see this movie without catching any reviews, expecting something rather depressing and underfunded.
Let me stop there and start again.
This movie is a revelation from start to finish. A convincing future world, deftly conveyed with so many subtle signals that I'm sure it will benefit from further viewings. A completely "other" England which I was amazed to see realised in such detail. Clive Owen FINALLY has the heroic role we have been waiting for and is brilliant in it. Julianne Moore simply glows and I've never enjoyed Sir Michael Caine so much before. The soundtrack is beautifully eclectic. Aside from some excellent classical choices, there's an evocative and alternative Spanish take on "Ruby Tuesday" which is a signature on the film. Wait during the end titles to enjoy an excremental song from Jarvis Cocker.
The movie grabbed my attention right from the start, and never let go. Initially, it's the differences of this future world that intrigue. Then, when the action starts, what I found really surprising was the freshness of direction that made me react to bullets and violence as if I'd never seen them in a movie before. If the script wasn't so wonderfully leavened with wit, it would be a grim and scary movie at times.
Finally, the whole thing is lit brilliantly, from the authentic dim English days to the atmospheric ending.
One to watch alongside "The Handmaid's Tale" some time....
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