Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
London, 2027. In this dystopian world, humans have been incapable of reproducing for eighteen years for an unknown reason, meaning the imminent extinction of the species. Britain is the one remaining civilized society on the planet, which has resulted in people wanting to immigrate there. As such, it has become a police state in order to handle the immigrants, who are placed into refugee camps. Lowly government bureaucrat Theo Faron, once an activist, is approached by the Fishes, deemed a terrorist group, led by his ex-wife Julian Taylor, who he has not seen in close to twenty years, their marriage which disintegrated following the death of their infant son Dylan during the 2008 flu pandemic. Although the Fishes did use terrorist means in their on-going revolution against the state in the fight for immigrant rights, Julian vows that they now garner support solely by speaking to the people. What she wants is for Theo to use his connections to get transit papers for a young immigrant ...Written by
The street battle where Theo (Clive Owen) has to take cover in a battered building caused concern for the studio, as it took fourteen days to prepare this one shot, with a delay of five hours every time it had to be re-shot. It was shot over the course of two days, but only one complete take was actually captured on film. In the middle of one take, some blood spattered on the camera lens. Writer and Director Alfonso Cuarón nearly ruined this take by shouting "Cut!", but his voice was obliterated by the sound of tank and gunfire. Looking at the footage, Cinematographer Emmanuel Lubezki persuaded Cuarón to leave it in, and that is the shot that appears in the final movie. See more »
At both the outer and inner gate of the camp (start and end of bus trip) the bus passes underneath a signpost reading "HOMELAND SECURITY - BEXHILL REFUGEE CAMP". Though located far from one another the signposts look exactly the same - down to every spot and mark of the heavily applied artificial weathering. See more »
Day 1,000 of the Siege of Seattle.
The Muslim community demands an end to the Army's occupation of mosques.
The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
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At the very end, one can read "Shanti, Shanti, Shanti" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shanti" means "peace" in Sanskrit. See more »
Written by Kevin Martin and Annette Henry
Performed by Pressure featuring Warrior Queen
Published by Chrysalis Music/Copyright Control (c) 2006
Used by permission. All rights reserved
Master courtesy of Hyperdub Records See more »
this film is one of the best things i have seen this year. It's an improbable cross between "Brazil" "a clockwork orange" and the video game HALF-LIFE2 (from which it borrows it's final sequences and use of on shot action-sequences) it manages to be both entertaining in the Hollywood way (with incredible action sequences and a very clever way of using digital effects) yet very sad and different with a very very dark and realistic overtone. No comic relief, no cartoon character bravery, only human behavior in it's best and most horrible way. This realistic overtone makes the main characters very engaging and moving. CLive owen (whose i have always disliked) is excellent as the man drowned into an adventure too big for him (sorry for my bad English)
It's the same kind of film than V for vendetta (both taking place in a futuristic fascist British society) different from the usual mainstrean studio teenager pleaser crap
GO see it! help intelligent cinema
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