2.8/10
2,579
79 user 3 critic

The Smokers (2000)

R | | Thriller | 5 March 2000 (USA)
Three rebellious teenage girls decide to even the score in the battle of the sexes.

Director:

Kat Slater (as Christina Peters)

Writers:

Kat Slater (story) (as Christina Peters), Kat Slater (screenplay) (as Christina Peters) | 1 more credit »
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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Dominique Swain ... Jefferson Roth
Busy Philipps ... Karen Carter
Keri Lynn Pratt ... Lisa Stockwell
Nick Loeb ... Jeremy (as Nicholas Loeb)
Oliver Hudson ... David
Ryan Browning ... Dan
Joel West ... Christopher
Thora Birch ... Lincoln Roth
Tell Draper Tell Draper ... Todd Manning
Ryan Sasson Ryan Sasson ... Ryan
Oniel Tutein Oniel Tutein ... Christopher's Boyfriend
Paul Aber Paul Aber ... Mr. Carter
Mary Jo Faraci ... Mrs. Carter
John Loeb Jr. John Loeb Jr. ... Mr. John Stockwell (as Ambassador John Loeb Jr.)
Kristena Farrell Kristena Farrell ... Mrs. Stockwell
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Storyline

Looking back a few years later, Jefferson Roth tells the story of the last few weeks of her senior year at a Wisconsin boarding school when she and two girl friends, the naive Lisa and the outrageous Karen, use a pistol to turn the tables on men (boys, really) who make them feel weak, put upon, and desired only as sex objects. They stage a sexual assault on David, who's been hot and cold toward Lisa. Meanwhile, each of the three keeps trying to find love even while Karen wants to attack others: Jefferson falls for a cowboy singer, ignoring a boy she grew up with, Jeremy, who likes her; Lisa tries again to reach David; Karen puts herself at risk with an older man. Can it end well? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Looking for love, they called it a revolution... See more »

Genres:

Thriller

Motion Picture Rating (MPAA)

Rated R for sexuality, violence, language and drug use involving teens | See all certifications »
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Details

Official Sites:

MGM

Country:

USA

Language:

English

Release Date:

5 March 2000 (USA) See more »

Also Known As:

Forbid to Break See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (video)

Sound Mix:

Dolby

Color:

Color
See full technical specs »
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Did You Know?

Trivia

In one scene, Dominique Swain's character is naming girls that Dan has dated and mentions "Chelsea Swain" who is one of Dominique's sisters in real life. See more »

Quotes

Jefferson: Do you like being a modern woman Karen?
See more »

Soundtracks

Be Like Me
Written by Lino Alessio, Stu Saddoris (as Stu Saddonis), Dan Grinstead
Published by Revision West (BMI)
Performed by 88 Crash
Courtesy of Marc Ferrari/Master Source
See more »

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User Reviews

Dark, despairing, with no balancing light. Difficult to see to the end!
23 June 2003 | by insightstraightSee all my reviews

There's not many movies where I seriously consider not seeing it all the way through. I watch 5-12 movies a week, new releases and classics, and typically I see them all through to the bitter end.

But 20 minutes into "The Smokers" I was fighting a most uncharacteristic urge to hit the Stop button.

And 30 minutes into the film I found myself in great sympathy of those animals who gnaw their legs off to escape a trap.

I picked up the film on spec because it had some good people involved with it. And I cannot hold them at fault for my discomfort -- all of the actors do their best with the material. (Thora Birch is a standout as the younger sister.)

But it is the material itself which is at the root of my desire to flee. What was (I believe) intended as a trenchant commentary on power, empowerment, and male-female relations instead struck me as a mean-spirited, dark and ultimately pointless exercise.

Perhaps if I were more familiar with the subjects of the film -- rich, bored, disaffected boarding school girls -- it would be more poignant for me. But I'm not a rich, bored, disaffected boarding school girl (nor do I think I ever shall be), just a film enthusiast with the ability to empathize with characters on screen if given half a chance. I ended up not caring two squirts what happened to any of these characters, and the vague message of the movie regarding the validity of the culture which produces rich, bored, disaffected etc. -- one of the characters tells her little sister "I don't want you to end up like mom" -- was insufficient reason to care about the film itself.

This film obviously comes from a very personal space, as many films which are written and directed by the same person do. Just as obviously, the director had it in the back of her mind that this film become a cult favorite -- the wild makeup is otherwise largely pointless.

An ardent feminist might claim that the source of my discomfort comes from receiving the barbs directed at self-serving men. To which I say pish. *And* tosh. The characters are empty on both sides of the sexual divide. I am a feminist (a humanist!) myself, and I feel this movie makes no contribution to insight regarding the opposite sex, and is in fact so confused and hostile that it can actually cause greater problems. My wife felt the same way.

Midway through the film, my wife and I debated whether or not to see it through; we decided to reach the bitter end, to see if *any* redemption was offered. But we also discussed what movie we should watch afterward, to take the taste of "The Smokers" out of our mouths. Something cheerier, like "Apocalypse Now".

And I found myself thinking of Kurtz's penned message: "Drop the bombs. Exterminate them all."

The horror. The horror...


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