Dr. T & the Women (2000)

A wealthy gynecologist's ideal life is thrown into turmoil when the women closest to him begin to affect his life in unexpecting ways.

Director:

Robert Altman

Writer:

Anne Rapp

Stars:

Richard Gere, Helen Hunt, Farrah Fawcett

3 nominations.

Cast

Cast overview, first billed only:
Richard Gere	...	Dr. T
Helen Hunt	...	Bree
Farrah Fawcett	...	Kate
Laura Dern	...	Peggy
Shelley Long	...	Carolyn
Tara Reid	...	Connie
Kate Hudson	...	Dee Dee
Liv Tyler	...	Marilyn
Robert Hays	...	Harlan
Matt Malloy	...	Bill
Andy Richter	...	Eli
Lee Grant	...	Dr. Harper
Janine Turner	...	Dorothy Chambliss
Holly Pelham	...	Joanne (as Holly Pelham-Davis)
Jeanne Evans	...	First Exam Patient

Storyline

Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, suffers a nervous breakdown and is committed to the state mental hospital. Dr. T's eldest daughter, Dee Dee, is planning to go through with her approaching wedding despite the secret that she's a lesbian and is romantically involved with Marilyn, the maid of honor. Dr T's youngest daughter, Connie, is a conspiracy theorist freak who has her own agenda to everything, while Dr. T's loyal secretary, Carolyn, has romantic feelings for him, which are not mutual. Dr. T's sister-in-law, Peggy, meddles in every situation she stumbles into, while one woman, Bree, a golf instructor, is the only one who offers him any comfort and salvation.

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Plot Keywords:

gynecologist | public nudity | breasts | lingerie slip | panties | 

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Genres:

Comedy | Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for graphic nudity and some sexuality

Details

Country:

USA Germany

Language:

English German Spanish

Release Date:

13 October 2000 (USA)

Also Known As:

Dr. T and the Women

Filming Locations:

Dallas Arboretum & Botanical Garden - 8617 Garland Road, Dallas, Texas, USA

Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend USA:

$5,012,867, 15 October 2000, Wide Release

Gross USA:

$13,113,041, 18 January 2001

Cumulative Worldwide Gross:

$22,844,291, 18 January 2001

Company Credits

Production Co:

Artisan Entertainment,Sandcastle 5 Productions

Technical Specs

Runtime:

122 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

All of the dialog in the lengthy and complicated opening tracking shot was improvised. It took 5 days to shoot.

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Goofs

Tornados generally move from the southwest to the northeast. It appears that Dr. T landed in Mexico which is southwest of Dallas.

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Quotes

[first lines]
First Exam Patient: Whoo. So uh, so Dr T, I, uh, I hear your wife's sister moved back in with you a few days ago. Is that true?
Dr. Sullivan "Sully" Travis, "Dr. T": Yes it is. Peggy and three kids.
Dr. T's Staff: I'm sorry.
First Exam Patient: Uh, what is your wife's name?
Dr. Sullivan "Sully" Travis, "Dr. T": Kate.
First Exam Patient: Kate. Yes of course, Kate. Oh. And your wife's sister's name is?
Dr. Sullivan "Sully" Travis, "Dr. T": Peggy.
First Exam Patient: Peggy, Peggy, yes, Peggy. So uh how many children does Peggy have now?
Dr. Sullivan "Sully" Travis, "Dr. T": She has three.
[...]

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Crazy Credits

This film is dedicated to the memory of Tommy.

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Connections

References The Brady Bunch Movie (1995)

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Soundtracks

You've Been So Good Up to Now
(1992)
Composed by Lyle Lovett
Performed by Lyle Lovett
Published by Michael H. Goldsen Inc./Lyle Lovett
Courtesy of MCA Records/Curb Music Co.
Under license from Universal Music Enterprises

User Reviews

Scrambled Ovaries

Robert Altman is frustratingly inconsistent, and here is at his worst. His very personal style has three characteristics:

1. Many-threaded storylines and characters, many of which raise questions that are not answered in the play. When done well, you get the impression of moving through the world with a curious voyeurism, dipping into many lives which are intriguing enough to learn more about. Except for the youngest daughter, none of these women are worth digging more into. The misogynism could have been an advantage; here it is cheap.

2. Spontaneous acting. Altman doesn't tell his actors what to do, trusting them to bring something fresh. In the best case, the differing visions of the actors add to the manyhued effect described above. But you need powerful actors like he had in "Cookie's Fortune." These folks, some of whom are fine when given direction, simply can't synthesize.

3. Wonderful tracking shots (which move from character to character so enhance the two effects noted above). Check out the first shot in "The Player." That alone is worth the admission. Here, we have a busily choreographed shot at the beginning and a dizzy pullback at the end, but neither to any useful effect.

Avoid this film. The master was asleep.