Dr. T & the Women

I can think of few directors who have turned out so many quality films in late career as Robert Altman has. "Dr. T and the Women" is Altman's latest, and in telling the story of a popular Dallas gynecologist and the females in his life, Altman has made one of his most enjoyable films yet. Richard Gere gives what has to be his best performance to date as Dr. Sullivan "Sully" Travis. Gere does not get enough credit for being a good actor, and with this performance he shows what enormous range he has. His Dr. T is so engaging and charming, that it is easy to see why he has the following he does. Gere's performance is the centerpiece of a quirky, funny, and hugely entertaining film, one of the best of 2000.

It's really a shame that such an all-star cast (Richard Gere, Helen Hunt, Farrah Fawcett, etc.) was wasted in this movie. It was muddled and plodding all the way through. I take it that the idea of a gynecologist whose life gets turned upside down by the various women in his life is supposed to be funny? If so, this failed miserably. There were a few chuckles in it, but fundamentally the problem was that this movie just plain lacked any consistent storyline. I found Richard Gere's character (Dr. Travis) entirely unsympathetic. Yeah, his wife was sick, and he must have been lonely, so he betrays his sick wife to fall into bed with Bree Davis (Helen Hunt). I just didn't like the guy from that point on, and found myself desperately rooting for the tornado at the end of the movie! In fact, none of the characters in this movie were particularly likeable.

The long and short of it is that I didn't care much for this effort. The idea had potential but just wasn't well thought out. I'll give it a 4/10, but reluctantly and while holding my nose.

If you sit down to this movie expecting your average romantic comedy you're going to come away, as many of the reviewers here did, befuddled and probably seriously disappointed. I'm no high-art film critic, but I had the advance warning, of sorts, of having watched the previews on the VHS edition of this movie (of all things), which let me know not to expect anything ordinary from it. Plus it's Robert Altman, right? So I went into it expecting not to take things at face value -- and that's what you have to do to enjoy this movie. The idea is that you have this man who treats women with love, respect, and chivalry. He is surrounded by demanding women all day long, and yet the focus on the individual patients whose encounters with him we witness shows the truth of something he says to his friends: every woman is unique. And then we see the different ways in which the women respond: His office manager falls in love with him. His patients demand more and more (and are very well-directed). His wife goes insane because she's loved too much (a diagnosis as obviously unrealistic as hers HAS to have been written into the story for a reason). His daughters rely on him, shock him, disappoint him. His sister-in-law takes advantage of his hospitality while drinking herself into a stupor. His girlfriend (who is kind of a man's woman) rejects his chivalrous overtures ("I'll do it! I'll get it!"), is the only self-sufficient woman in the film, and ultimately rejects his offer for an interdependent relationship. All these combine to create a world whose stresses pile up until a surreal conclusion whisks Dr. T away to a completely different world... where straight away he's put back to work, and he delivers a boy. And who can blame him for being relieved.

Overall this is a movie I'm glad I saw once; it was an interesting experience. Kudos to Richard Gere for probably the best acting I've ever seen him do.

Like much of Robert Altman's work, this is a hit and miss movie, but worth seeing for some good performances, several genuinely funny scenes, and some of the master's typical ensemble sequences with all hell breaking loose while everybody talks at once! It is probably unhelpful to approach it as though it was a full-blooded satire on wealthy Texas women. For a start, the target is too easy - like the floating and walking birds Dr T and his buddies seem to think it's fair to shoot at - and in any case the focus of the film is not the Women of the title, but Dr T.

Richard Gere gives a typically charming and understated, performance as Dr T (for Travis), who is surrounded by women whom he likes and respects in private life, and cares for in his professional life as a gynecologist, but no more understands than most men. Farrah Fawcett gives a touching portrayal as his wife, who retreats into childhood to escape his smothering affection. Helen Hunt, as an independently-minded, intelligent golf pro, provides a refreshing change - both for Dr T and the audience - from the empty-headed shopaholics who people much of the movie. Laura Dern, Kate Hudson and Shelley Long sparkle as, respectively, Dr T's sister-in-law, daughter and receptionist. (As we might expect from Altman, the city of Dallas also plays a leading role; and the best casting is definitely that of Eric Ryan as the "birth baby"; Eric enters the IMDb actors data base at the tender age of zero!)

This is a long way from the vintage Altman of Mash, Nashville and The Player; but is still richer than most Hollywood fare.

Robert Altman appreciates women. It shows in his movies; women are often the main characters, and his films offer up a variety of interesting roles for actresses. Dr. T and the Women is almost entirely about women, modern day wealthy Texas women. Richard Gere plays Dr. Sully Travis a very successful and popular Dallas gynecologist. Not only is he surrounded by women all day at work, but his family consists entirely of women. Only a couple of male buddies enter into his closed, female dominated life. And like all good Altman movies there are plenty of quirky characters and intersecting plotlines.

The problem is that the plotlines aren't that interesting or original. Dr. T's wife develops a rare mental disorder that affects only the wealthy, and must be institutionalized. The new female golf pro comes on to Dr. T, as does his nurse. His soon-to-be-married daughter is slowly realizing that she may be a lesbian. And so on.

For Altman fans, Dr. T and the Women is not a bad rental. The director has done better, but it's still Altman. Others, less interested, might want to give this a pass.