We become intimate with the "Sordid Lives" of a family in a small Texas town preparing for their mother's funeral. Among the characters are the grandson trying to find his identity in West Hollywood, the son who has spent the past 23 years dressed as Tammy Wynette, the sister and her best friend who live in delightfully kitschy homes, and the two daughters--one strait-laced, the other quite a bit looser.Written by
Randall Gellens <firstname.lastname@example.org>
The character of Juanita does not appear in the original play. She proved so popular in the film, however, that Del Shores wrote alternate versions of scene 2 and 4 for theaters that wanted to include her. See more »
After their arrival to the funeral, sometimes we see Nolita and G.W. in the audience, and sometimes we do not. See more »
[smoking and talking to her dead sister's corpse]
Hey. Guess you don't mind if I smoke. It has not been a good day sister. And I blame YOU... You turn on a LIGHT when you go to the bathroom... If you are going to have affairs you have GOT to be more careful! Of course, this is all useless information for you now.
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The DVD has an extended (but deleted) version of Grandma Peggy's rant after the credits. See more »
Sordid Lives is the screen adaptation of Del Shores' play, and it's a hoot (and a holler) from beginning to end. When I saw it last night, I had no idea what it would be about except that Olivia Newton-John was in it, along with Beau Bridges and Bonnie Bedelia, which was more than enough to get me in the theatre. I was not disappointed. The film starts out over the top and goes only farther in that direction with every scene. It's got a wacked-out cartoon tone to it, but yet the characters ARE real, you do relate to their foibles and situations. The most fully-realized character in the piece has to be Leslie Jordan's cross-dressing Brother Boy, who makes you laugh every time he appears - you are laughing WITH him, though, not AT him, and by the end you are happy for him as well. In the wrong hands, this movie could have been a travesty of major proportions, but Del Shores (who wrote and directed) is confident enough in the value of the piece to make it work.
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