2 user 2 critic

The Man Without a Map (1968)

Moetsukita chizu (original title)
A private detective is hired to find a missing man by his wife. Contradictory evidence and the lack of clues soon render the case as virtually unsolvable, as the detective grows more and more frustrated.


(screenplay), (novel)


Learn more

People who liked this also liked... 

Pitfall (1962)
Crime | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A man wanders into a seemingly deserted town with his young son in search of work. But after a bit of bad luck, he joins the town's population of lost souls.

Director: Hiroshi Teshigahara
Stars: Hisashi Igawa, Sumie Sasaki, Sen Yano
Samâ sorujâ (1972)
Drama | War
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A Vietnam veteran deserts from the US Army while on leave in Japan.

Director: Hiroshi Teshigahara
Stars: Keith Sykes, Reisen Ri, Kazuo Kitamura
Rikyu (1989)
Drama | History
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Legendary tea master Sen no Rikyu is faced with his warmongering lord's unrealistic pretensions.

Director: Hiroshi Teshigahara
Stars: Rentarô Mikuni, Yoshiko Mita, Tsutomu Yamazaki
Gô-hime (1992)
Drama | History
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  
Director: Hiroshi Teshigahara
Stars: Rie Miyazawa, Tatsuya Nakadai, Toshiya Nagasawa
Tanin no kao (1966)
Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.

Director: Hiroshi Teshigahara
Stars: Tatsuya Nakadai, Mikijirô Hira, Kyôko Kishida
Ako (1965)
Short | Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Follows Ako, a 16 year old Japanese girl, as she spends time working in a bakery and going out with her friends.

Director: Hiroshi Teshigahara
Stars: Miki Irie, Teruko Hasegawa, Yoko Matsushita
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

An entomologist on vacation is trapped by local villagers into living with a woman whose life task is shoveling sand for them.

Director: Hiroshi Teshigahara
Stars: Eiji Okada, Kyôko Kishida, Hiroko Itô
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Un film en quatre épisodes présentant des adolescentes choisies parmi les plus représentatives de leur pays et de notre temps, en Italie, en France, au Japon et au Canada. En dépit des ... See full summary »

Directors: Gian Vittorio Baldi, Michel Brault, and 2 more credits »
Stars: Michel Aracheguesne, Bernard Arcand, Nadine Ballot
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

The work of Catalan architect Antonio Gaudí, as seen by Japanese New Wave director Hiroshi Teshigahara.

Director: Hiroshi Teshigahara
Stars: Isidro Puig Boada, Antoni Gaudí, Seiji Miyaguchi
Zatôichi monogatari (1974–1979)
Action | Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

Blind masseur Zatôichi travels from town to town gambling, drinking, and fighting off the local gangs.

Stars: Shintarô Katsu, Shintarô Akatsuki, Renji Ishibashi
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.

Director: Kaneto Shindô
Stars: Nobuko Otowa, Taiji Tonoyama, Shinji Tanaka
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A group of rank-and-file Japanese soldiers are jailed for crimes against humanity, themselves victims of a nation refusing to bear its burdens as a whole.

Director: Masaki Kobayashi
Stars: Kô Mishima, Torahiko Hamada, Keiko Kishi


Complete credited cast:
... Detective
Etsuko Ichihara ... Wife
Osamu Ôkawa ... Wife's Brother
Kiyoshi Atsumi ... Tashiro
Tamao Nakamura ... Detective's Wife
Kinzô Shin ... Coffee Shop Owner
Rest of cast listed alphabetically:
Reiko Kasahara
Hôsei Komatsu
Akiko Kudô
Aiko Nagayama
Shôjirô Ogasawara
Kyôichi Satô
Haruo Tanaka
Hideko Yoshida


A private detective is hired to find a missing man by his wife. Contradictory evidence and the lack of clues soon render the case as virtually unsolvable, as the detective grows more and more frustrated.

Plot Summary | Add Synopsis







Release Date:

1 June 1968 (Japan)  »

Also Known As:

The Man Without a Map  »

Company Credits

Production Co:

Show more on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


This is the final of four film collaborations involving director Hiroshi Teshigahara, author Kôbô Abe, and scorer Tôru Takemitsu. Their other film collaborations were Pitfall (1962), Woman in the Dunes (1964), and Tanin no kao (1966). See more »


Spoofed in Ruined (1968) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Flawed as it may appear, it is still ravishingly beautiful and refreshing
13 May 2013 | by See all my reviews

A detective (Shintarô Katsu) is assigned to find a missing man by a beautiful female (Etsuko Ichihara) who is a wife of the lost person. The more the detective attempts to unravel the mystery, the deeper he is dragged into the world of delinquency and pornography where he begins to question his own identity. Numerous facts, frequently contradictory with one another render the whole riddle more impenetrable and the investigation becomes overflowed with pointlessness…

The last collaboration of Kobo Abe and Hiroshi Teshigahara is an exquisitely scripted piece of profound cinema which inquires about one's personality in the hostile modern civilisation. This dreary existential film noir was based on the novel by Abe, published under the same title, which dealt with a problem of perishing people in Japan in the sixties, not unlike a far more experimental cinematic work by Shôhei Imamura i.e. A Man Vanishes from 1967. In the case of Teshigahara's flick, Abe, who was the scripter, is perfectly aware how to adjust the plot to this medium. Thus, the story, upon being modified in some details, cooperates with the aesthetic talent of Teshigahara perfectly. Nevertheless, Teshigahara's movie isn't always as penetrating as the prose and it turns out to be underdeveloped in some moments. Instead of delving into protagonist's psyche and compounding the climax of urban soullessness by including more psychedelic sequences accompanied by portentous soundtrack of the great Toru Takemitsu, Abe and Teshigahara are more concerned about clarifying the whole tale and eventually the outcome isn't entirely satisfying. Sadly, this isn't the sole problematic aspect of The Man Without the Map. The ensemble invariably seems sparse and distant owing to a gently awkward editing. The action skips from one location to another in an inelegant , somehow harsh manner and hence provides a viewer with a sense as though it was heavily cut.

Notwithstanding, the director succeeds in creating a very well-crafted effort despite being slightly superficial in comparison to the more rewarding book by Abe. It's all marked by a touch of genius which is pleasant to glimpse at and take delight in. Teshigaharesque aesthetics are omnipresent and although The Man Without the Map isn't as illusory as its predecessors, Teshigahara stunningly captures the atmosphere of the austere world, devoid of compassion and filled with forlorn spirits, which is filmed through a prism of an inscrutable maze of Tokyo streets. The framing reminiscent of a blend of an American crime flick, a psychological drama as well as a samurai story, in which bamboos and horses are replaced by streetlamps, neons and cars. The stylisation is remarkably opulent and though it does not retain the profoundness of the prose, for more patient cinephiles it will still remain a riveting and fascinating experience.

Shintarô Katsu, known for starring in multiple Zatoichi samurai movies, gives a very good performance and seems the best choice to play the role of a bit gruff, thick-skinned private detective who is troubled by existential angst which more and more is taking him aback. Etsuko Ichihara, who also appeared in The Face of Another from 1966 by Teshigahara, is charming and nice-looking, but she hasn't got enough time to utterly display her acting talent. There are plenty of other gifted, little-known performers such as Osamu Ôkawa and Kiyoshi Atsumi, who push the story further in a graceful way.

Cinematography by Akira Uehara is miraculous and it is obvious that Teshigahara endeavoured to take full advantage of colourful photography in his first coloured motion picture, alike Kurosawa with his Dodes'ka-den from 1970. The outbursts of yellow and red hues are truly bewildering and it is difficult not to appreciate this elaborate visualisation. There is likewise a brilliant utilisation of mirror as well as glass reflexions which might indicate the airiness of human existence in the modern world where an unit is overwhelmed by indifference encircling him. The soundtrack by Toru Takemitsu is genuinely gorgeous. Apart from some non-musical, uneasy, dissonant sounds, the score is adorned by other, more straight-forward and conventional tunes which are soothing and relaxing.

Possibly transforming such a psychologically-tinged book into the movie wasn't a masterstroke, nonetheless the upshot is truly admirable. The subject is scrutinised from a slightly different perspective owing to which the film exists as a separate work of art. Though disparate elements are uneven in terms of quality and the flick never achieves what it aspires to, the advantages of The Man Without The Map are too delightful to be ignored. Its style, murky atmosphere and highly enjoyable execution render the drawbacks virtually invisible to the naked eye and thus a viewer is going to find the material absorbing and refreshing.

9 of 10 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 2 user reviews »

Contribute to This Page

Stream Action and Adventure Titles With Prime Video

Explore popular action and adventure titles available to stream with Prime Video.

Start your free trial