A portrait of a young man, Michael, so obsessed with death that he decorates his room with a life-size Grim Reaper. One night Michael's closest buddy, Louis, joins him for an adventure in Hollywood on Christmas Eve.
Ann is from a prominent Japanese-American family, owners of a famous nursery and greenhouse. Tom is from a blue-collar family of self-employed fishermen. Tom and Ann develop a playful, ... See full summary »
Joe Lo Presti
Maddalena and Michele fall in love in Italy in the 1960s, while working at a meat factory in Emilia stormed by the workers' protest, but their love can't be, because he is married and Italy... See full summary »
When disturbed New York City (NYPD) cop Lacy rescues Sally, a beautiful cellist, from deranged crook Rabbit by shooting Rabbit in cold blood, he sets off a spark of publicity that brands him the city's hero.
James Earl Jones
"Hurry Up, Or I'll Be 30" is the critically-acclaimed film of one man's frustration with his boring life. This motion picture features Danny DeVito in one of his earliest screen roles. For ... See full summary »
Linda De Coff,
A starving photographer - DeVito - deploys an expansive get-rich scheme against the advice of a besotted schoolteacher.
Hot Dogs was a student film, yet the quality of cinematography, comic timing in both performance and editing, and it's maniacal theme set this movie apart. It launched the careers of both Danny DeVito and Martin Brest, and any Hollywood scout would instantly see why. The construction of the film provides a world and it's characters through subtle cues and implications. "Fleeetcheeeer," defines the friendship of the two main characters, while the introductory stalking and fruit thievery delineate the anti-hero's personality through behavior rather than narrative. There is a lot of story, and surprising tension, in this very compact film. The climax is quite formalistic, but highly effective, delivering a punch that is expected, yet unbelievable when it happens. The bookending punchline is delivered with wonderful effect, in classic mousetrap style. Technically, it adheres to the logic of the invisible observer, playing out like a recollection from the afterlife of one of the characters. But please take care when viewing, as it is not politically correct in the moment. Caution: Genius at work!
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