A group of rival collectors of severely deformed freakish human beings and the FBI agents that are investigating them must battle against some of their collections which aren't as dead as ... See full summary »
Mel Johnson Jr.
It's 1911 when 12 year old Sophia plays all by herself in her big, creepy house with only four handmade dolls as friends. When her abusive father has finally had enough, he forces her to ... See full summary »
Straight-laced nerd Alistair moves into a college dorm with hardcore marijuana users Brett, Larnell, and Bachman. Larnell orders an old giant bong that proves to have strange magical powers... See full summary »
John Patrick Jordan,
Virgil Travis is a wealthy, soulless psychopath who lives in seclusion in his mansion home with his dwarf butler and maniac right hand man. Tortured and forcibly mutated as a child by a woman who put him through body transforming procedures, Virgil has an abnormally sized head. Basking in the suffering, degradation, pain, and death of others, Virgil has already killed, and kidnapped a female rock group that he keeps imprisoned in his basement to help satisfy his constant need for perverse amusement. Never satisfied, though, Virgil decides that he will once again try to fill the emptiness that exists within him, and so creates a trio of deformed, living dolls to systematically murder any and all people who have ever wronged him. What Virgil doesn't anticipate, though, is meeting his match and finding love, both of which come in the form of a woman who is even more evil and twisted than he is.Written by
The character of Mr. Mascaro is the human version of the demon Jack in the Box from the film Demonic Toys (1991) See more »
There is no "we", Harrison, there's only me. And a sloppy, man-shaped appendage - you.
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After Virgil kills everyone and the dolls escape with the rockers, the screen blacks for the credits, but instead Virgil's assistant walks out and explains that there is an alternate ending that some may find more suitable. The last five minutes of the movie play over, except now the rockers throw the dwarf across the room before the wedding, and are forced to play the wedding march for Virgil. In this version of the ending, however, Virgil's new wife reacts positively to him. The rockers start to play music, which continues over the end credits. See more »
Though they are the title characters, the Blood Dolls are, surprisingly, not the film's main focus. As the film continues, it turns from a simple killer doll film to a twisted romance. The transition is smooth, and adds a sense of freshness to the story; there are even two endings, one for the romantically inclined and another, more typical ending. The plot innovations are believable because of Maturin's great facial expressions and delivery during his interactions with other characters. Unfortunately, the practical effects budget barred Maturin from being in any shots other than close-ups; a well-used puppet head (it's not totally apparent, and is used sparingly from careful angles to prevent it from becoming so) takes his place in a couple shots. Like many Full Moon releases, CG-effects were ditched in favor of practical effects, and though they worked well for Virgil and the rest of the film, the Blood Dolls are not as animated as their fellow killer-puppets in the Puppet Master series; they look fantastic but move more stiffly. Perhaps this is partially why Band made this film more story-oriented than death-oriented.
Though not all professional musicians, an original idea was for the actresses playing Virgil's band-in-a-cage to record a soundtrack CD and go on tour after the film's release as The Blood Dolls. This was scrapped, but the majority of the movie's soundtrack is provided by the band (along with a music video on the DVD), is quite good (it could certainly fit in with some o
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