A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Adult siblings Sammy Prescott and Terry Prescott have had a special bond with each other since they were kids when their parents were tragically killed in a car accident. That bond is why single mom Sammy, who still lives in the family home in Scottsville, upstate New York with her eight year old son Rudy, is excited to hear that Terry, who she has not seen or heard from in a while, is coming home for a visit. That excitement is dampened slightly upon Terry's arrival, when she learns that he, broke, is only there to borrow money. As adults, Sammy, who works as a lending officer in the local bank, is seen as the responsible sibling, while unfocused Terry is seen as the irresponsible drifter. Regardless, Sammy welcomes what ends up being Terry's longer than planned visit if only so that he can help take care of Rudy, who has no adult male figure in his life. Rudy has never known his deadbeat biological father, with whom Sammy wants nothing to do. As Terry - acting as the supposed adult ...Written by
I'm Still In Love With You
Written by Steve Earle
Performed by Steve Earle and the Del McCoury Band with Iris DeMent
Courtesy of South Nashville Music / WB Music Corp. (ASCAP)
And E-Squared, LLC. See more »
In one of the many manifestations of the power of the indie flicks during the past ten years, rebellious young Terry Prescott (Mark Ruffalo) comes to visit his sister Samantha (Laura Linney) and her son Rudy (Rory Culkin), upsetting their normal lives. "You Can Count on Me" is very much a script- and character-driven movie, a far cry from a Hollywood cliché movie. As for the characters themselves, Samantha and Rudy are quite respectable; Terry is hard to classify, as he almost seems to be wasting his life but is the sort of rebel who we all wish to be; Matthew Broderick - as Samantha's boss - made my skin crawl, and I suspect that you'll feel the same.
All in all, this is certainly a movie that I recommend, and I'm eager to see Kenneth Lonergan's next movie.
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