A female projectionist suddenly comes to the self-realization that she just in fact may be a serial killer responsible for brutally murdering everyone around her.
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Title: Evil Dead Trap 2 (1992)
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Ginî piggu: Manhôru no naka no ningyo
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Cast
| Cast overview, first billed only: | |||
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Shoko Nakajima | ... | Aki Ôtani |
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Rie Kondoh | ... | Emi Kageyama |
| Shirô Sano | ... | Kurahashi | |
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Shino Ikenami | ... | Kan-nadzuki Chiyo |
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Sei Hiraizumi | ... | Muraki (manager) |
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Kazue Tsunogae | ... | Noda (wife of Kurahashi) |
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Yôko Ohshima | ... | Movie theater employee |
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Yasuhiro Arai | ... | Ogata (TV director) |
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Kitarô | ... | Chio's subordinate (messenger of medium master) |
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Shôta Enomoto | ... | Hideki |
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Jun Maeda | ||
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Ryô Iwamatsu | ||
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Ryo Okubo | ||
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Satomi Shinae | ||
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Hiroko Sakairi | ||
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Plot Summary
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Storyline
A female projectionist is haunted by the image of a small boy. Perhaps driven by insanity from a former abortion she goes on a killing spree, gutting women and removing their stomaches. Her relationship with her attractive and successful friend drives the plot deeper into insanity. Written by Fred Cabral <ftcabral@hotmail.com>
Plot Keywords:
falling through a ceiling | projectionist | serial killer | abortion | breasts |Certificate:
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Details
Country:
JapanLanguage:
JapaneseRelease Date:
11 July 1992 (Japan) See more »Also Known As:
Evil Dead Trap 2 See more »Filming Locations:
JapanCompany Credits
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Runtime:
Color:
Color
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Trivia
The Korean film being shown in the theater where Aki works as a projectionist is Adada (1987). See more »Frequently Asked Questions
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A sequel in name only, this second entry in the EDT-series is easily the most satisfying one. It's as gory as one might expect from an Asian horror film -I've seen this film round eight times, but still have to look away when the breaking-the-arm-over-the-radiator bit comes along- but this one has an ingenious plot and decent acting to boot.
Far less derivative than the original, EDT 2 involves a young, timid girl who goes on a killing spree, her self-loathing fueling the fire. There's also a sub-plot of an abortion gone awry, and the re-appearance of Hideki, probably the scariest child in movie history. Dream-logic, most of it, but it works.
The photography is perversely stylish, the pacing hypnotic. Some images, like a wounded victim staggering forward against a full-neon backdrop, or the twisted ballet of protagonist and antagonist battling in a mesh of white sheets, will stay with you for a very long time. The soundtrack, a Goblin-inspired celesta-theme, is breath-taking, and extremely well used troughout the film.
EDT 2 is top-notch film-making all the way, and will have you looking under the bed for nights to come. Argento would be proud. ........